Showing 17–32 of 118 results

  • David Goldblatt: No Ulterior Motive

    R1540

    A panorama of the career of South African photographer David Goldblatt, elucidating his artistic commitments, networks, and influence

  • David Goldblatt: The Last Interview

    R1020

    Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein?a mining town on the Witwatersrand gold reef?in 1930, the grandson of Lithuanian-Jewish migrants…

  • David Lurie: History, Myth, Memory

    My time spent at Nirox was an invitation to reflect, enlarge and contribute to self-knowledge, to explore the region, its myths and its history, uncover the spirit of the place and even enquire into the nature and possibilities of landscape photography itself.

  • David Lurie: Morning After Dark

    “Morning After Dark” is a series of urban landscapes of the formal and informal parts of Cape Town, all of which have been photographed in early-morning light, and mostly when no-one was present.

  • Deborah Bell: Dreams of Immortality

    R150

    An exhibition catalogue, by Everard Read Johannesburg,  of the captivating work of Deborah Bell’s Dreams of Immortality (2015).

  • Doing Hair: Art and Hair in Africa

    R170

    Catalogue of the Exhibition, Wits arts Museum, 2014 This publication accompanies an exhibition of the same title at Wits art Museum, 20 August – 2 November 2014.

  • Domestic Scenes

    R2000

    Domestic Scenes feature the entire 54 images of Kentridge’s early series of work Domestic Scenes (1980). Domestic Scenes is published by Steidl, an international publisher of photobooks, and features an exquisite hard cover design with Kentridge’s signature on the cover page and a beautiful A1 poster of a photograph of young William Kentridge in his Parktown studio in Johannesburg, South Africa.

  • Domestic Scenes – William Kentridge (Signed)

    R4000

    Domestic Scenes feature the entire 54 images of Kentridge’s early series of work Domestic Scenes (1980). Domestic Scenes is published by Steidl, an international publisher of photobooks, and features an exquisite hard cover design with Kentridge’s signature on the cover page and a beautiful A1 poster of a photograph of young William Kentridge in his Parktown studio in Johannesburg, South Africa.

    There are 16 variations of the book available, each distinct with a different front cover image of one of the works in the Domestic Scenes series. Clients are welcomed and encouraged to ask for the front cover variation that they would like.

  • Ernest Cole: The True America

    R2795

    The first publication of photographs taken by Ernest Cole in the United States during the turbulent and eventful late 1960s and early 1970s.

  • Georgina Gratrix: The Reunion

    R450

    Monograph to accompany painter Georgina Gratrix’s exhibition, The Reunion.

  • Grass you can swim in

    R480

    Heidi Fourie’s Artist Book Grass You Can Swim In is a limited edition publication produced in collaboration with the artist and David Krut Publishing. The book includes an essay by Jacqueline Flint, full colour images of the entire body of work included in Fourie’s solo project comprising paintings as well as the accomplished debut series of fine art editions and unique watercolour transfers made in collaboration with the David Krut Workshop between 2020 and 2021.

  • Sale!

    Haabre (Hardback)

    R150

    Joana Choumali is fascinated with African people of different social origins who proudly display their facial scarification. But the practice is disappearing in her native Ivory Coast and the surrounding countries, due to pressure from religious and state authorities and urban practices. Choumalis work involves the link between past and present, as well as self-image. For this project she sought out the last generation of people who bear the imprint of the past on their faces. What was once the norm, indicating social standing or tribe, is now excluded. Through portraits and testimonies, the series illustrates the complexity of identity in contemporary Africa, torn between its past and future.

  • Hoerikwaggo: Images of Table Mountain

    R350

    Exhibition catalogue of a selection of old maps, photographs, postcards and posters, etc published for the exhibition of the same title, showing Table Mountain as a cultural symbol.

  • Jackson Hlungwani

    R1500

    Hlungwani’s body of sculpture articulates his spiritual journey, his insights, and his world in three-dimensional form aiding him in his life’s mission as orator, teacher, healer, and visionary. The sculptures are evidence not only of a remarkable sustained artistic endeavour, but are also, by nature, sculptures that teach. Hlungwani created specific works for the two altars on the hilltop site that he called ‘New Jerusalem.’ These sculptures – as well as many others – expressed his immanent relationship with God, Christ and the Archangels Gabriel and Michael. His numinous world was then directed to his community in his teachings, and beyond, as he freely shared his vision of a new world order.

  • Jeremy Wafer (Signed)

    R1180

    South African sculptor Jeremy Wafer was born in 1953 in Durban and is Professor of Sculpture in the School of Arts of the University of the Witwatersrand. He was awarded the Standard Bank National Drawing Prize in 1987 and the Sasol Wax Art Award in 2006.  

  • Jill Trappler: Unfolding Her

    R100

    In “Unfolding Her” Jill Trappler explores the notion of ‘foreverness’ in her non-figurative art practice.