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Informed and energized by a lifetime of painting, drawing and making images with cameras, David Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters?
David Hockney introduces his two dachshunds, Stanley and Boodgie, in this delightful collection. The result of both sharp observation and affection, these paintings and drawings are lyrical studies in form and design. A text by the artist gives a behind-the- scenes glimpse of how to work with models that don’t necessarily want to sit still.
Pop artist, painter of modern life, landscape painter, master of color, explorer of image and perception?for six decades, David Hockney has been known as an artist who always finds new ways of exploring the world and its representational possibilities.
So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.
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