British Prints from the Machine Age is a profusely illustrated examination of the impact of avant-garde Continental influences on British printmaking in the years stretching from the First World War to the outbreak of the Second.
Copper Plate Photogravure describes in comprehensive detail the technique of traditional copper plate photogravure as would be practiced by visual artists using normally available facilities and materials. Attention is paid to step-by-step guidance through the many stages of the process.
This book offers practical help and guidance to aspiring illustrators. All areas of the job are covered – how to create a portfolio; the most effective ways to approach would-be clients; how to prepare for meetings and negotiate contracts; and how to handle, deliver, and bill a job. There is advice on how to avoid the pitfalls that can undermine crucial first impressions; how to set up a studio; and how to maintain a flow of work and manage one’s time and cash. Success in self-promotion, creating websites, self-publishing, and the pros and cons of agents are all explored.
Amy Dempsey unravels the all-too-often daunting language of modern art by mapping the styles, schools and movements that help us understand modern and contemporary art, from Impressionism in the 19th century to Destination Art in the 21st.
‘Nature/Structure. There is no more to say. In my pictures I reduce to that. But ‘reduce’ is the wrong word, because these are not simplifications. I can’t verbalize what I am working on: to me, it is many-layered by definition; it is what is more important, what is more true’ – Gerhard Richter
Prints and Their Makers takes you behind the scenes to witness the creative process at the world’s top printmaking workshops. Master printer Phil Sanders offers an in-depth look at this versatile medium and places contemporary prints and practices in the context of traditions and techniques developed over more than a thousand years.
This sweeping overview of Rembrandt’s extraordinary achievement as a draughtsman fills a gap in the otherwise enormous literature on the artist. Beautifully illustrated, mostly in colour, the more than 150 drawings – culled from a corpus of some 800 – are discussed in detail.
Spring Will Come is the life story of William Zulu, highly acclaimed for his evocative art-works. It recounts with zest and humor the events of his life, his unfolding artistic development and the world of deep rural Africa in which he is rooted.
A complement to the landmark The Art Book, The 21st-Century Art Book is an accessible guide to best contemporary art made since 2000. Showcasing over 280 artists in alphabetical order, it place established figures like Jeff Wall, Marlene Dumas and Maurizio Cattelan alongside the rising stars of the next generation such as Camille Henrot and Haroon Mirza.
This stunning book is a beautifully produced near-facsimilie of J.M.W. Turner’s sketchbook collecting and reproducing Turner’s ‘Wilson’ studies. It even includes the section in which Turner used his sketchbook upside down in his haste to sketch!”
Autumn examines of the most beautiful, transformative and amusing expressions of the autumn season using works drawn from Tate’s collection.
Divided into key themes – ‘Fields of Gold’, ‘A Bountiful Harvest’, ‘Leisure’, ‘Symbolism’, ‘Bump in the Night’ and ‘Abstraction’ – this little book considers how the traditional season of harvest and falling leaves has influenced artists over centuries.
Focusing in particular on his experiments with sound, the moving image and immersive installations, this exhibition book comprises texts on Nauman’s video works of the 1980s and 1990s, as well as on his studio practice and more recent work, along with a conversation between the artist and Andrea Lissoni and Nicholas Serota.