@Earth
R60@earth is as revolutionary in form as it is in content. It contains no words: instead it tells its story in the universal language of photomontage, long the favoured medium of radical artists.
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@earth is as revolutionary in form as it is in content. It contains no words: instead it tells its story in the universal language of photomontage, long the favoured medium of radical artists.
A mesmerizing, continent-spanning survey of the most dynamic scenes in contemporary African photography, and an introduction to the creative figures who are making it happen. Africa State of Mind gathers together the work of an emergent generation of photographers from across Africa, including both the Maghreb and sub-Saharan Africa. It is both a summation of new photographic practice from the last decade and an exploration of how contemporary photographers from the continent are exploring ideas of ‘Africanness’ to reveal Africa to be a psychological space as much as a physical territory – a state of mind as much as a geographical place.
Offering up new insight into Andy Warhol’s expanded art practice, presenting his life and work within the context of his time, this outstanding paperback exhibition catalogue emphasises how Warhol continues to be a relevant figure in a digital age. With illustrations of familiar and lesser-known aspects of Warhol’s career, an interview with former Factory insider,…
Published in association with Joy of Giving Something, Inc., New York. Hatakeyama’s color work is marked by two overarching qualities. The first is a studious quality where the careful compositions and richness of detail associated with large format photography lend the work an impressive formal rigour. Complementing this formality is an attraction to the visual dynamics of industry and production.
This captivating album presents more than 100 photographs, alongside fascinating commentaries and an introduction, that span the early years of the automobile to the present day. For both photography and car-loving audiences, Autofocus illustrates the inexorable rise of the car as a cultural icon.
Featuring 47 iconic Monk images and written texts by David Goldblatt, Jac de Villiers and Lin Sampson, this hardcover photo book is a collectible item and a beautifully crafted glimpse into Cape Town’s sailor underworld.
In Blue Ice, award-winning travel writing Don Pinnock journeys to the seventh continent – the last to be discovered. He explores what drew Cook, Bellingshausen, Shackleton, Scott and other adventurers and naturalists to this vast terrain. With sensitive descriptions and startling photography, he travels into the heart of Antarctica’s wilderness and explores the intimate relationship between Cape Town and the frozen south.
In the series, I Declare I Am Here, photographer Caroline Suzman reflects on Johannesburg as a city of shadows and dreams. Pedestrians streaming in and out of the so-called City of Gold navigate architecture from a bygone era with resilience, grit and grace.
I Declare I Am Here is a compilation of 24 photographs from Suzman’s series printed as functional postcards. Gift bag included in purchase.
This book collects the images of Daniel Naudé, a rising young photographer whose depiction of South Africa’s animals and rural landscape raises provocative questions about our relationships with the creatures that share our land.
In this 2015 retrospective exhibition, curator Neil Dundas of the Goodman Gallery took the opportunity “to examine how Goldblatt’s life’s work has explored and expressed the values of South Africa and its peoples”. The Pursuit of Values included photographs from Goldblatt’s twin projects, South Africa – The Structure of Things Then and Structures of Dominion…
My time spent at Nirox was an invitation to reflect, enlarge and contribute to self-knowledge, to explore the region, its myths and its history, uncover the spirit of the place and even enquire into the nature and possibilities of landscape photography itself.
“Morning After Dark” is a series of urban landscapes of the formal and informal parts of Cape Town, all of which have been photographed in early-morning light, and mostly when no-one was present.
In “Writing the City”, I turn my attention to ‘surfaces’, the plethora of placards, banners, billboards, posters, words and images, which inform and direct us, regulate our movements, mould our desires, and sometimes surprise and disturb us, to further explore these issues.
First published in 1930 in a limited edition of only 500, Disavowals is recognised as Claude Cahun’s key work and a lost masterpiece of Surrealist literature. It is now made available to an English-speaking readership for the first time.
Catalogue of the Exhibition, Wits arts Museum, 2014 This publication accompanies an exhibition of the same title at Wits art Museum, 20 August – 2 November 2014.
Claude Cahun and Marcel Moore were an extraordinary couple who worked and lived together for more than 40 years. Cahun and Moore were the pseudonyms for Lucy Schwob and Suzanne Malherbe, who met in their teens and embarked on their unique relationship. They travelled from provincial Nantes to the hot-house atmosphere of Paris and finally to Jersey, where they found the space and freedom to develop their ideas but where they were to suffer imprisonment during the Nazi occupation for their Resistance activities.
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