Showing 1–16 of 36 results

  • A Picasso Portfolio

    R500

    Printmaking was fundamental to Pablo Picasso’s artistic vision. Over his long career, he made well over 2,000 printed images, focusing on the intaglio techniques of etching, engraving, drypoint and aquatint, as well as on lithography and linoleum cut. This publication, published to accompany an exhibition at The Museum of Modern Art, explores Picasso’s creative process…

  • Fire Walker

    R500

    Far more than being about a single artwork, this book participates in the myriad conversations and debates on the meaning of public art. The essays prise open critical questions about public space in Johannesburg; Oliver Barstow’s interviews with the various collaborators on the sculpture reveal the complexities and challenges of creating such a massive work in so short a time; and the images by John Hodgkiss of the making of the sculpture, alongside two photo essays suggest the metaphorical power of Fire Walker as well as the fragile hold of street vendors over their small share of city space.

  • Songs of Innocence and of Experience

    R220

    Reissued with gilded page edges to celebrate Tate Britain’s William Blake exhibition, this beautiful book of The Songs of Innocence and of Experience is an authentic edition of this rare and wonderful collection of poetry reproducing William Blake’s own illumination and lettering from the finest existing example of the original work.

  • Fashion Print Design: From Idea to the Final Print

    R300

    This book guides readers through the complete process of creating fashion prints from designing prints and patterns to the final appearance of finished prints on a garment.

  • Gerhard Richter – Panorama

    R700

    Gerhard Richter: Panorama is the first and most complete overview of Richter’s whole career. Where previous monographs have focused on a single aspect of his work, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity. It includes his photo- paintings, abstracts, landscapes and seascapes, portraits, colour charts, glass and mirror works, sculptures, drawings and photographs, providing the definitive account of Richter’s colossal artistic achievements.

  • People of Print

    R500

    An insider’s guide to the fresh, talented graphic designers, illustrators, printmakers and collectives that are at the heart of a creatively dynamic scene.

  • Picasso Prints: The Vollard Suite

    R600

    Published to accompany the exhibition at the British Museum in 2012 with a preface from Neil MacGregor, this remarkable book explores Picasso’s most important group of etchings, the Vollard Suite.

  • Impressions from South Africa: 1965 to Now (Printmaking)

    R200

    Encompassing black-and-white linoleum cuts made at community art centres in the 1960s and 1970s, resistance posters and other political art of the 1980s, and the wide variety of subjects and techniques explored by artists in printshops over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression.

  • Out of stock

    Gods in Print: Masterpieces of India’s Mythological Art

    R580

    Gods in Print is the first comprehensive collection of early hand-colored lithographs, multiple-block chromolithographs, and offset print images of India’s world of gods and goddesses.

  • Patrick Caulfield – British Artist Series

    R250

    Patrick Caulfield was a student at the Royal College of Art between 1960-63 alongside David Hockney and Allen Jones. His subject matter draws more from the masters of modern art such as Braque and Gris than from the consumer culture that preoccupied his fellow students.

  • Stephen Hobbs: Be Careful In The Working Radius

    R100

    The catalogue, “Be Careful In The Working Radius, was printed alongside the namesake exhibition. This exhibition is the culmination of the most recent work Stephen Hobbs has been making at DKW.

    Early in his career, Stephen Hobbs recognised the need to develop his practice across the disciplines of artistic production, curatorial practice and cultural management. Through committed urban investigation and experimentation, focused primarily on Johannesburg since 1994, he has sustained a dialogue with urban space through video, installation, curated projects, photography and sculpture.

  • Deborah Bell: A Far Country: Sculpture and Painting 2008 – 12

    R250

    John Martin Gallery was pleased to present South African artist Deborah Bell’s exhibition A Far Country. This was Deborah’s second UK exhibition which brings together recent sculptures and paintings from the last four years including her major series based on the song, See Line Woman. The show also provided an opportunity to exhibit two of…

  • Contemporary Art in Print

    R850

    Arguably the most significant book on printmaking published in the last five years, showcasing rare works on paper created for the Paragon Press by 25 leading artists – including The Chapman Brothers, Peter Doig, Damien Hirst and Gary Hume. Edited by Patrick Elliott. Designed by Peter Willberg.

  • Prints and Printmaking – An Introduction to the History and Techniques

    R260

    A print is a pictorial image that has been produced by a process that enables it to be multiplied, and many of the best-known works by some of the world’s greatest artists are prints. Yet little is understood about this popular art form. Now Antony Griffiths provides an excellent introduction for anyone who wishes to…

  • Out of stock

    Hokusai Prints and Drawings

    R230

    This volume includes full-color reproductions of drawings and woodblock prints by Japan’s most beloved artist. These landscapes-including his famous views of Mount Fuji- portraits of lovers and kabuki actors, nature and animal illustrations, as well as scenes of daily life in eighteenth and nineteenth-century Japan reveal the artist’s genius for rendering a wide variety of…

  • Terra – Jeannette Unite

    R350

    It is hard to imagine anything less obviously poetic than the machineries of mining or the scarred landscapes left over when mineral wealth has been extracted from the earth.