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Heidi Fourie’s Artist Book Grass You Can Swim In is a limited edition publication produced in collaboration with the artist and David Krut Publishing. The book includes an essay by Jacqueline Flint, full colour images of the entire body of work included in Fourie’s solo project comprising paintings as well as the accomplished debut series of fine art editions and unique watercolour transfers made in collaboration with the David Krut Workshop between 2020 and 2021.
This educational supplement is published together with a TAXI art book on Mmakgabo Mmapula Helen Sebidi. Helen Sebidi traverses mental and physical landscapes with an eye trained on the dangerous, the discomfiting, the traumatic and the ecstatic in human experience. She is deeply grounded in her rural upbringing and traditions but also finely attuned to the rhythms of the city in which she has spent much of her adult life. Sebidi brings together these two worlds in works of great visionary and prophetic power. Her themes are wide-ranging: her cultural roots, the wisdom of the ancestors, the ravages of the modern world on the human psyche, the loss of tradition, the potential of human creativity to build relationships and restore the past.
Architecture and Vegetation. Hybrid Home Spaces grew out of a thrilling workshop, by the same name, which took place on Reunion Island in May 2004. The aim of the workshop was to create a net of connections between students in architecture from tropical countries and from Europe and to bring them to work together on tropical climate issues.s.
Art and Justice: The Art of the Constitutional Court of South Africa documents and celebrates the artworks integrated into and collected for the Constitutional Court of South Africa. The book pays tribute to the extraordinary vision of the architects and judges of the Court who sought to bring together, in the most inspiring, innovative and dignified way possible, art and the workings of justice, and to give a public soul to the new Court building.
This Compendium brings together all thirteen supplements from the TAXI Art Books series on contemporary South African artists. Each chapter contains an introduction to the artist, worksheets and conceptual and practical projects, fact files, glossaries and bibliography. Learners and teachers are encouraged to draw on thier own resources of imagination and experience and, through discussion, collaboration and reflection, understand the artist’s work and try a variety of art-making exercises. The Compendium includes valuable material on how to conduct research, write art essays, avoid plagiarism, keep a visual diary and do art presentations.
Critical Interventions is a peer-reviewed journal of advanced research and writing on African art history and visual culture. Our mission is to provide a forum for cutting-edge scholarship in African art history and for sustained analysis of issues of urgent concern for the discipline that foregrounds both the history of Africa’s modernity and the historiography of African Art History.
The French Institute of South Africa (IFAS) and David Krut Publishing (DKP) join forces to create Culture Set – a series of booklets around themes linked to the programming of IFAS, and following the tradition of the Skill Set series and TAXI Art Book Educational Supplements for which DKP has become well known.
David Krut Publishing is pleased to announce the release of
Deborah Bell: Invocations to the Plate Notes from the Print Workshop 2014 – 2017,
a publication dedicated to the collaborations between Deborah Bell and David Krut Workshop.
Deborah Bell’s Alchemy was launched to coincide with Deborah Bell’s second solo exhibition at David Krut Projects, Collaborations II, which opened in 2010.
The catalogue tracks the evolution of Bell’s art over the last ten years of collaboration with David Krut Workshop (DKW). The text was taken from a series of conversations between Bell and David Krut.
This book was published to coincide with the exhibition of Diane Victor’s work at the University of Johannesburg, Ashes to Ashes and Smoke to Dust, which ran from mid-November 2011 to the end of January 2012.
Dis-Location / Re-Location: Exploring Alienation and Identity in South Africa is a lively series of essays which considers the themes raised by the provocative and critically acclaimed 2007/8 travelling exhibition Dis-Location / Re-Location by Leora Farber and the fashion design duo Strangelove. This book is a valuable addition to the ongoing debates about cultural assimilation, the politics of identity and race, and the relationship between art and political discourse.
2013 marked the centenary of the birth of Francois Krige (1913-1994). David Krut Projects celebrated the occasion with an exhibition of his work curated by Justin Fox, nephew of the artist and authority on his life and art. In addition to self-portraits spanning Krige’s career, the exhibition presents a selection of significant works on paper over six decades.
Handspring Puppet Company was founded by Basil Jones, Adrian Kohler, Jill Joubert and Jon Weinberg in 1981. They have produced eleven plays and two operas, collaborated with many different artists including Mali’s Sogolon Puppet Troupe and South African artist William Kentridge which opened in over 200 venues in South Africa and abroad.
While Johannes Phokela’s work is, at first glance, an irreverent representation of Western art history, it is the cultural and political consumption of pictures that interests him most. He is a voracious consumer of imagery, drawing not only on the iconic works of the European Masters – Rubens, Van Dyck, Caravaggio – but also on newspapers, magazines and the Internet. His is an ambitious exploration of the import of received art history on the one hand and the seemingly endless proliferation of images in popular culture on the other.
l’Afrique: A Tribute to Maria Stein-Lessing and Leopold Spiegel celebrates the lives and work of two extraordinary personalities, Maria Stein-Lessing and Leopold Spiegel, who produced an important legacy in the field of African and South African art and artifacts.
Mapping Memory: Former Prisoners Tell their Stories is a project of Constitution Hill – the heritage precinct built around the Number Four prison complex that is now the home of the Constitutional Court. The project brought back former prisoners who were held in the Women’s Jail and Number Four and created the opportunity for them to give material form to their memories made fragile by the passage of time.
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