This catalogue, which accompanies the exhibition Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim, shows Rebay not only as a director and curator, but also as a prolific artist–her early abstract watercolors, drawings, abstract and figurative collages, and large-scale non-objective paintings are featured here. Also included are early masterpieces by Rebay’s artist colleagues and friends Arp, Bauer, Kandinsky, Richter, and others. Not only a testament to Rebay’s artistic and curatorial prowess, this book also gives touching insight into the extraordinary collaboration between her and Solomon R. Guggenheim, which resulted in one of the world’s finest collections of early 20th century modernism.
Attlee’s book succeeds in showing how influential Guernica has been. Attlee digs up rich examples of the debate and devotion that invariably attended the painting. Guernica literature abounds; but this book is a worthwhile addition.
They can be charming or steeped in mute despair, vulgar or lovingly maternal, bourgeois or intellectual – but they are always Impressionist cats, caught as if by the camera, spontaneous and unprepared.
Pop Art was one of the most revolutionary art movements of the 20th century. In the 1950s, a group of artists in Great Britain and the USA, rather than despising popular culture, gladly embraced both its imagery and its methods, using photographs, advertisements, posters, cartoons and everyday objects to form the basis of their art. Their audacity at first scandalized the Establishment, but by the mid-1960s their work dominated the world art scene and names such as Andy Warhol, Roy Lichtenstein and Robert Rauschenberg were familiar to many. This book examines the formation and growth of the movement with selected examples from the style’s most important exponents.
Linda Parry examines the whole range of Arts and Crafts textiles – not only printed but woven fabrics, tapestries and carpets, embroideries and lace – and provides invaluable information on designers, manufacturers and shops. Also included are rare photographs of some of the designers and of original interiors, where the fabrics appear in use.
This luxury guide to the highlights of the Tate Britain’s collection provides an essential introduction to the extraordinary development of British art over the centuries, telling the story of the collection and presenting a selection of the stunning works on display. It’s a lavishly illustrated, beautiful collection of highlights from the Tate collection over the past 500 years.
Abstraction shook Western art to its core. In the early part of the 20th century, it refuted the reign of clear, indisputable forms and confronted audiences instead with vivid visual poems devoid of conventional representational imagery and characterized by allegories of emotion and sensation. This radical artistic adventure established new artistic means, as much as…
The most important art movement since the Second World War, Abstract Expressionism revolutionized the way Americans viewed art and culture alike. Drawing on a vast array of scholarly research, David Anfam examines the politically radical spirit of a nucleus of artists who transgressed the traditional forms of American art and faced the tensions of a modernizing society.
From vast, splattered canvases to quiet pools of color, enter the world of Abstract Expressionism, the movement which put feelings into paint and turned New York into the global center for contemporary art. This book features works from 20 key artists, including Jackson Pollock, Philip Guston, Robert Motherwell, Mark Rothko, and Willem de Kooning.
Pioneered by Picasso and Braque, Cubism has been described as the first avant-garde art movement of the 20th century. With inspiration from African and Native American art and sculpture, its practitioners deconstructed European conventions of viewpoint, form, perspective to create flattened, fragmented, and revolutionary images.
To get to the heart of Dada it is essential to encounter the artistsâ€™ writings and manifestos at first hand. The Dada Reader provides the first representative selection from key Dada texts, as well as from lesser-known American and east European Dada journals, many of which have never previously been available in English.
With motion and machines as its most treasured tropes, Futurism was founded in 1909 by Filippo Tommaso Marinetti, along with painters Giacomo Balla, Umberto Boccioni, Carlo Carrà, and Gino Severini. With affiliate painters, sculptors, designers, architects, and writers, the group sought to subsume the dusty establishment into a new age of sleek, strong, purified modernity.
In this TASCHEN Basic Art introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life.
It was a dappled and daubed harbor scene that gave Impressionism its name. When Impression, Sunrise by Claude Monet was exhibited in April 1874, critics seized upon the work’s title and its loose stylistic rendering of light and motion upon water to deride this new, impressionistic tendency in art.