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Modern and Contemporary African art is at the forefront of the current curatorial and collector movement in today’s art scene. This groundbreaking new book, created in collaboration with a prestigious global advisory board, represents the most substantial appraisal of contemporary artists born or based in Africa available
If you’ve been crying yourself to sleep over your failings as a rat athlete in the rat olympics of late-capitalist life then take comfort. This book is for you. Features his very latest work and includes: Nottingham Hula Hoop Girl, Bristol Valentines’ Day, Turf War Exhibition, Girl With Balloon, Birmingham Reindeer Bench, London Extinction Rebellion, Calais Steve Jobs, Devolved Parliament, New York You Loot We Shoot. Spanning Gaza, London, Bristol, New York, LA and Paris among many many more.
It is 2022, just over a century since the founding of arguably the world’s most widely celebrated art and design school. In 2019, on the occasion of the Bauhaus’ centenary, the world’s media focused on the various ‘legacies’ of this school. Such retrospective appraisals of Bauhaus moment(s), movement(s) and model(s) demonstrate that the school has certainly not gone missing. Using the notion of verfehlen/missing as a point of departure, these time-travelling and varied contributions from the Global South posit different ways in which the word missing may be applied to the Bauhaus: Contributors from arts, architecture and design backgrounds raise and critique a range of problematic aspects attached to a nostalgic position of longing for the Bauhaus and reveal numerous instances of how the school’s mythologised model, freighted with Western confidence and hardheadedness, often simply misses, and continues to miss the point.
Catalogue of the Exhibition, Wits arts Museum, 2014 This publication accompanies an exhibition of the same title at Wits art Museum, 20 August – 2 November 2014.
This book covers 250 years of painting in Spain starting with works created at the splendid sixteenth-century court of Philip II to those produced at the Hapsburg and Bourbon courts of Madrid, and in the cities of Seville, Valencia, and Toledo
In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art.
In this remarkable book of discovery, art historian Ruth Butler coaxes three shadowy women out of obscurity and introduces them for the first time as individuals. Through unprecedented research, Butler has been able to create portraits of Hortense Fiquet, Camille Doncieux, and Rose Beuret—the models, and later the wives, respectively, of Cézanne, Monet, and Rodin, three of the most famous French artists of their generation
Käthe Kollwitz (1867–1945), Paula Modersohn-Becker (1876–1907), Gabriele Münter (1877–1962) and Marianne Werefkin (1860–1938) are among the exceptional artists associated with the emergence of Expressionism in Germany in the early decades of the 20th century. Each challenged prevailing ideals of feminine identity at a time of great societal change. As women, they were expected to marry and raise a family; some chose to, some did not. As ambitious artists, they wanted to work.
As they rose to these challenges, their art further undermined conventions. Their portraits of children symbolize joy, hope and innocence but also melancholy, tension, curiosity, the passing of time and unfulfilled desire. Their radical depictions of the nude wrest the female body away from the male gaze toward a newfound role, expressive of powerful maternity and female subjectivity.
Giving a voice to the secret graffiti artists of Medieval times, this engaging, enthralling and – at times – eye-opening book, with a glossary of key terms and a county-by-county directory of key churches, will put this often overlooked period in a whole new light.
A book examining the Pre-Raphaelite Painting techniques and innovations that produced a revolution in Art.
Combining rebellion and revivalism, scientific precision and imaginative grandeur, the Pre-Raphaelite Brotherhood shook the mid-nineteenth-century art world and were effectively Britain’s first modern art movement. Today the works of the Pre-Raphaelites are among the best known of all English paintings, and yet they have sometimes been dismissed as Victoriana or mere escapism. This book corrects that view.
This book introduces the work of the greatest artists of the Dutch golden age, an era of unparalleled wealth, power and cultural confidence.
Featuring works from the collection of the Museum of Modern Art, New York, this illuminating exhibition catalog―MoMA’s first major publication on video art in nearly 30 years―explores the ways in which artists have both championed and questioned video’s promise, some hoping to create new networks of communication, democratic engagement and public participation, others protesting commercial and state control over information, vision and truth itself. Lavishly illustrated essays by esteemed scholars and artists―including Ina Blom, Aria Dean, David Joselit, Pamela M. Lee, Glenn Ligon and Ravi Sundaram―highlight video’s widely varied formats, contexts and global reach. Signals is a manual for understanding the present, an era in which video has pervaded all aspects of life.
Ten Years of Collecting (1979-1989), David Hammond-Tooke and Anitra Nettleton, softcover, published by the University of the Witwatersrand, 1989, tearing, creasing and wear to cover, shelf wear.
Linda Parry examines the whole range of Arts and Crafts textiles – not only printed but woven fabrics, tapestries and carpets, embroideries and lace – and provides invaluable information on designers, manufacturers and shops. Also included are rare photographs of some of the designers and of original interiors, where the fabrics appear in use.
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