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Realist art of the twentieth century is striking for its diversity. It has no shared style or manifesto of intention. Yet a common thread in realist art is a commitment to the modern world and to things as they are. This book examines realism in Europe and America, beginning with its roots in the ideas of Gustave Courbet in nineteenth-century France.
Surrealism was one of the most interesting and influential art movements of the twentieth century. A collective adventure begun by a small group of intellectuals in Paris in the early 1920s, amongst them Max Ernst, Rene Magritte and Salvador Dali, its influence was felt through the rest of continental Europe and in Britain, the United States, Mexico and Japan.
Around 1800, philosophers, writers, and artists revolted against rationalism, spreading a new “romantic” vision—one that believed in the goodness of humanity, the divine spirit of nature, and that saw the artist as an individual creator. This comprehensive introduction gathers an essay situating the genre across different regions, crisp reproductions, and detailed interpretations of 31 crucial pieces. For more information…
A new and expanded edition of the internationally bestselling guide to modern and contemporary art. Modern art has come to be defined by its styles, schools and movements. The more than three hundred collected here provide an indispensable introduction to the major developments in Western painting, sculpture, architecture and design during one of the most…
Whether fear, anguish, or unrequited desire, Symbolist painters believed that art should reflect an emotion or idea rather than a realistic representation of the natural world. This book brings together some of the most important images from their mysterious, spiritual, and seductive visual language. For more information click here
This lavishly illustrated book concentrates more closely on the visual impact of Pre-Raphaelite art than any previous study.
This collection of hard-hitting and highly readable essays reflects Gombrich’s preoccupation with the central questions of value and tradition in our culture. He confronts – with characteristic incision and erudition – some of the most urgent issues that challenge today’s students of art and civilization.
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