Showing 1–16 of 110 results
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A lasting Impression: The Robert Hodgins Print Archive
R350A Lasting Impression: The Robert Hodgins print Archive is a 284 page lavishly illustrated full-colour catalogue that accompanied the exhibition at Wits Art Museum in 2013. In 2007, Robert Hodgins donated his archive of almost 400 prints to the museum. The catalogue documents the entire collection and includes incisive and illuminating essays by leading thinkers…
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A Step Becomes a Statement
R350Catalogue of the exhibition, Wits Art Museum, 2018. Includes an essay by Julia Charlton. Many of the paintings are accompanied by a handwritten letter in which the artist explains the intention behind the work. Alfred Thoba was born in Sophiatown, Johannesburg, in 1951. His family were forcibly removed by the apartheid government in 1955. Largely self-taught,…
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Andrie Gouws: Pedestrian Paintings
R100Pedestrian Paintings (2006-2011), Andries Gouws’s travelling exhibition combines the interiors and still-lifes known from Gouws’ previous shows with a series of paintings of feet on which he has been working since 2006.
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Anna van der Ploeg: Omens in Hot Bacon Contradiction
R180This exhibition presents a new body of work created by Anna van der Ploeg at the David Krut Workshop (DKW). Through oil paintings, etching editions and monotypes, Van der Ploeg continues to probe notions of performativity, concealment, and tenderness in social interactions.
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Anthea Moys: At my own risk
R115This exhibition catalogue was published in conjunction with the exhibition ‘At my own risk’ at the Everard Read Gallery, Johannesburg
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Azaria Mbatha – Retrospective Exhibition
A catalogue of Azaria Mbatha’s retrospective exhibition at the Durban Art Gallery in 1998.sart catalo
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Batlhaping Ba Re! Mmakgabo Mapula Helen Sebidi
R230Through the relationship between dreams and ancestry, Mmakgabo Mapula Helen Sebidi references the politicisation of landscape, and its relationship to growth and issues of creation. Batlhaping Ba Re! features works from Sebidi’s career spanning five decades, and looks at her continued dedication to issues of mythologies and ancestry and traditional African value systems.
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Beadwork, Art and the Body
R380South African beadwork has a rich and diverse history and is abundantly represented in the beaded art pieces in the Wits Art Museum (WAM) collection. Some works date back to the 4th century CE but most date from the 19th to the 21st centuries. Currently numbering over 9 000 items, the three major collecting areas of classical, historical and contemporary African artworks are broad in their geographical range and deep in some local areas of specialisation.
Paying homage to this collection, Beadwork, Art and the Body is a compilation of essays by scholars who have researched and written about the traditions, practices and aesthetic forms of beadwork in southern Africa. The book covers an expansive history of beadwork in South Africa from the 19th century to the contemporary moment. The artists and the beadwork featured range from Sotho-, Tsonga-, Xhosa- and Zulu-speakers, ending with a focus on fashion designer Laduma Ngxokolo, whose work has been inspired by Xhosa beadwork. Questions of ethnic affiliation and beadwork patterns are explored in relation to the different aesthetic forms of beadwork and its use as a marker of identity and status within and beyond communities.
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Beyond the Readymade
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Black Looks, White Myths
Catalogue of the first ever Biennale, Africus ’95 in Johannesburg bringing together eighteen South African and four Spanish artists reflecting the extreme diversity of these artists’ professional backgrounds and creative techniques
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Booknesses: Artist’s Books from the Jack Ginsberg Collection
R500The exhibition Booknesses: Artists’ Books from the Jack Ginsberg Collection formed part of the larger Booknesses enterprise. The exhibition, consisting of 229 international and 29 local artists’ books and an extensive catalogue, was one of the largest and most ambitious exhibitions of its kind globally. Curated by David Paton, with the assistance of Rosalind Cleaver and Jack Ginsberg, the…
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Brett Murray: Again Again
R600Brett Murrays’s show, Again/ Again, opened at the Goodman Gallery, Cape Town, in 2015 and then at the Everard Read Gallery, Johannesburg, in 2017.
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Breyten Breytenbach: The 81 ways of letting go a late self
R300While a South African audience might be more familiar with Breytenbach as a writer, he initially studied at the Michaelis School of Art. Breytenbach held his first solo exhibition of paintings in 1964, the same year he published his first volume of poems (Die Ysterkoei Moet Sweet) and his first book of prose (Katastrofes). It took place at Galerie Espace in Amsterdam, where Breytenbach shared the roster with Karel Appel and Francesco Clemente, among others.
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Bruce Murray Arnott: Into the Megatext
R790BRUCE MURRAY ARNOTT: INTO THE MEGATEXT provides the first comprehensive overview of one of South Africa’s most significant sculptors. His influence as an artist, scholar, designer, curator, and educator runs deep; intuited through the work of many of South Africa’s leading contemporary scholars and practitioners in the visual arts.
