Ten Years of Collecting
R185Ten Years of Collecting (1979-1989), David Hammond-Tooke and Anitra Nettleton, softcover, published by the University of the Witwatersrand, 1989, tearing, creasing and wear to cover, shelf wear.
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Out of stockTen Years of Collecting (1979-1989), David Hammond-Tooke and Anitra Nettleton, softcover, published by the University of the Witwatersrand, 1989, tearing, creasing and wear to cover, shelf wear.
Out of stockAn illustrated biography of Jack Lugg, influential South African artist and educator.

A first monographic catalogue is devoted to Kevin Brand the prizewinner of the Mercedes-Benz Art Award for South African Art Projects in Public Space 2008.

Beneath the public face of Dunn’s work, the author contends, lies a private world of even greater significance, a world in which the essential elements of our being are examined, depicted and, by implication, commented upon – all with a gently satirical eye. It is this re-assessment which forms the basis of Chris Perold’s book, illustrated with reproductions and commentaries on more than one hundred of the artist’s paintings.
Out of stockThe Standard Bank Foundation of African Art, housed at the University of the Witwatersrand Art Galleries was begun ten years ago. This exhibition, one of the largest of its kind ever held in South Africa, commemorates a partnership which expresses the true ideals of both private enterprise and public education in this country.

The exhibition opened on the eve of South Africa’s Covid-19 lockdown, and the catalogue essay by Mwenya B Kabwe asks what the Gymnasium series gives us ’at a time like this, a time of such massive upheaval’. Interweaving a fabular tale with her insights into Nkosi’s lens on this moment, Kabwe write: ’Nkosi tells us that when we are talking about race, we are never just talking about race. When we are talking about infectious diseases, we are actually talking about the biological expression of social inequality.’ She continues:

The Annandale exhibition UNIVERSAL ARCHIVE (Parts 7 – 23) is a comprehensive exhibition of new work encompassing all 250 metres of exhibition space at Annandale Galleries.


Published to coincide with the travelling retrospective exhibition which opened at SMAC Art Gallery, Stellenbosch, in 2010.
Out of stockA catalogue published to accompany Sharlene Khan’s photography series of the same name.

The drawing which Kentridge produced for his anamorphotic animated film “What Will Come” becomes a space-related sculpture through the view in the mirrored cylinder.

Published in 2019, When the moon waxes red: Negotiating Subjective Terrain as an ‘Inside-Outsider’, an ‘Outside-Insider’ accompanies the exhibition of the same name.

Exhibition catalogue Standard Bank Gallery Johannesburg 25 September 2007 to 1 December 2007. Contains a fascinating 24pp interview with the artist and many colour photographs. 28 x 30cm 120pp.

A Poem That Is Not Our Own establishes a link between his early drawings and films from the 1980s and 1990s and his most recent work, bringing into focus the thematic complex of migration, flight, and processions in his oeuvre. It illustrates how these themes first emerge in Kentridge’s early graphic work and grow more prominent over the years as he explores their potential in ever more opulent creations.

This book is an opportunity for Kentridge enthusiasts to catch a glimpse of this little-known early series of 14 etchings and also offers a further taste of the ongoing catalogue raisonné project.

Published to accompany Kentridge’s first retrospective exhibition in the United States and South Africa, this fascinating book offers in-depth coverage of the artist’s animated films, drawings, and theater productions. Kentridge has also created 16 new, previously unpublished artist’s pages for the book.
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