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The Standard Bank Foundation of African Art, housed at the University of the Witwatersrand Art Galleries was begun ten years ago. This exhibition, one of the largest of its kind ever held in South Africa, commemorates a partnership which expresses the true ideals of both private enterprise and public education in this country.
The exhibition opened on the eve of South Africa’s Covid-19 lockdown, and the catalogue essay by Mwenya B Kabwe asks what the Gymnasium series gives us ’at a time like this, a time of such massive upheaval’. Interweaving a fabular tale with her insights into Nkosi’s lens on this moment, Kabwe write: ’Nkosi tells us that when we are talking about race, we are never just talking about race. When we are talking about infectious diseases, we are actually talking about the biological expression of social inequality.’ She continues:
A catalogue published to accompany Sharlene Khan’s photography series of the same name.
Published in 2019, When the moon waxes red: Negotiating Subjective Terrain as an ‘Inside-Outsider’, an ‘Outside-Insider’ accompanies the exhibition of the same name.
Exhibition catalogue Standard Bank Gallery Johannesburg 25 September 2007 to 1 December 2007. Contains a fascinating 24pp interview with the artist and many colour photographs. 28 x 30cm 120pp.
The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…
In a brilliant exposition of Kentridge’s output, Stephen Clingman, Distinguished Professor of English at the University of Massachusetts, Amherst, undertakes a series of enquiries, of walks around the artist and his practice, through the various layers and linkages, crossings and connections of his art.
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Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment.
The highly anticipated second volume to the widely acclaimed and celebrated self-portrait series, Somnyama Ngonyama, Hail the Dark Lioness
Spring Will Come is the life story of William Zulu, highly acclaimed for his evocative art-works. It recounts with zest and humor the events of his life, his unfolding artistic development and the world of deep rural Africa in which he is rooted.
Created to accompany one of the most exciting exhibitions of 2020, this stunning paperback catalogue presents the full breadth of Muholi’s photographic and activist practice.
Richly illustrated, it includes images from the key series Muholi has produced over the past twenty years, as well as never-before-published and recent works. The exhibition book also features six newly commissioned essays exploring their work, as well as a full glossary and chronology.
FEATURES – Revolutions – Forms that turn: Carolyn Christov-Bakargiev in conversation with Russell Storer – Spherical and Without Exits: thoughts on William Kentridge’s anamorphic film What Will Come (Has Already Come) by Jane Taylor – Artist pages by William Kentridge – Conceptual Artist Meets Girl: Stuart Ringholt and the art of self-improvement by Sarah Tutton…
Kim Lieberman is a conceptual artist whose work is inspired by travel and letter communication.
Documenting artist Brett Murray’s career over the past 30 years, this book boasts both powerful imagery and reflective texts from his 80s cultural/struggle work, through his career to The Spear—the natural outcome of his art and reflections on injustices past and present.
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