Showing 1–16 of 135 results
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R600‘Take your road and travel along’ is a quote from a poem by Gerard Sekoto, and it aptly describes the difficult and lonely journey that the pioneers experienced both in trying to study art in their home countries and in leaving Africa to study in Europe. The assimilation of the European painting tradition into an African idiom resulted in a rich genre of work that is rarely researched and exhibited, even though it challenges and undermines many of the prevailing assumptions about modernism, modernity and the conception of the modern artist.”
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R350A Lasting Impression: The Robert Hodgins print Archive is a 284 page lavishly illustrated full-colour catalogue that accompanied the exhibition at Wits Art Museum in 2013. In 2007, Robert Hodgins donated his archive of almost 400 prints to the museum. The catalogue documents the entire collection and includes incisive and illuminating essays by leading thinkers…
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R150An educational resource about using ancient art and current cultural artifacts to teach Sub-Saharan African civilization to the young. This resource consisting of a video and an interactive resource book, offers teachers and learners a means of exploring creativity by introducting museums and galleries as rich educational resources that expose the wealth of African cultural…
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R100Pedestrian Paintings (2006-2011), Andries Gouws’s travelling exhibition combines the interiors and still-lifes known from Gouws’ previous shows with a series of paintings of feet on which he has been working since 2006.
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R230Through the relationship between dreams and ancestry, Mmakgabo Mapula Helen Sebidi references the politicisation of landscape, and its relationship to growth and issues of creation. Batlhaping Ba Re! features works from Sebidi’s career spanning five decades, and looks at her continued dedication to issues of mythologies and ancestry and traditional African value systems.
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R380South African beadwork has a rich and diverse history and is abundantly represented in the beaded art pieces in the Wits Art Museum (WAM) collection. Some works date back to the 4th century CE but most date from the 19th to the 21st centuries. Currently numbering over 9 000 items, the three major collecting areas of classical, historical and contemporary African artworks are broad in their geographical range and deep in some local areas of specialisation.
Paying homage to this collection, Beadwork, Art and the Body is a compilation of essays by scholars who have researched and written about the traditions, practices and aesthetic forms of beadwork in southern Africa. The book covers an expansive history of beadwork in South Africa from the 19th century to the contemporary moment. The artists and the beadwork featured range from Sotho-, Tsonga-, Xhosa- and Zulu-speakers, ending with a focus on fashion designer Laduma Ngxokolo, whose work has been inspired by Xhosa beadwork. Questions of ethnic affiliation and beadwork patterns are explored in relation to the different aesthetic forms of beadwork and its use as a marker of identity and status within and beyond communities.
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R500The exhibition Booknesses: Artists’ Books from the Jack Ginsberg Collection formed part of the larger Booknesses enterprise. The exhibition, consisting of 229 international and 29 local artists’ books and an extensive catalogue, was one of the largest and most ambitious exhibitions of its kind globally. Curated by David Paton, with the assistance of Rosalind Cleaver and Jack Ginsberg, the…
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R110The latest African art catalogue from Michael Stevenson and Michael Graham-Stewart contains a pioneering essay on the acquisition of objects by European soldiers, missionaries and travelers, and the dramatic shift in the social significance of the object that occurs along with the shift in ownership. Pieces include a previously unpublished North Nguni cow-horn engraved with scenes of the Anglo-Zulu War, and an unusual Tsonga headrest with an attached staff.
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R350In the series, I Declare I Am Here, photographer Caroline Suzman reflects on Johannesburg as a city of shadows and dreams. Pedestrians streaming in and out of the so-called City of Gold navigate architecture from a bygone era with resilience, grit and grace.
I Declare I Am Here is a compilation of 24 photographs from Suzman’s series printed as functional postcards. Gift bag included in purchase.
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R1200This publication offers enthusiasts and collectors a glimpse into the studios of thirty important South African artists, born between 1941 and 1998, revealing the richness of both contemporary clay and ceramic tradition within South African art
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R250In 2019 Fadzai Muchemwa, a curator from Zimbabwe, completed a three-month residency at the Bag Factory in Johannesburg. This collection of essays on the role of art and arts organisations grew out of her experience of living and working in Johannesburg.
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R170Catalogue of the Exhibition, Wits arts Museum, 2014 This publication accompanies an exhibition of the same title at Wits art Museum, 20 August – 2 November 2014.
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R450Statues are one of the most visible – and controversial – forms of historical storytelling. The stories we tell about history are vital to how we, as societies, understand our past and create our future. So whose stories do we tell? Who or what defines us? What if we don’t all agree? How is history made, and why? FALLEN IDOLS looks at twelve statues in modern history. It looks at why they were put up; the stories they were supposed to tell; why those stories were challenged; and how they came down. History is not erased when statues are pulled down. If anything, it is made.
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R300This book takes the reader on a thematic journey through the rooms of a former house in Cape Town that Association for Visual Arts (AVA) has, since 1971, called home.
