Meschac Gaba: Tresses and Other Recent Projects
R200This catalogue features an essay by Johannesburg Art Gallery curator Khwezi Gule, and an interview with Gaba by Joost Bosland highlighting the importance of humour and play in Gaba’s work.
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This catalogue features an essay by Johannesburg Art Gallery curator Khwezi Gule, and an interview with Gaba by Joost Bosland highlighting the importance of humour and play in Gaba’s work.

Hot off the press new release zine, created for the exhibition Movement and its limitation within an environment by artist Quinten Edward Williams. To view the exhibition, click here.
Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs through an interface between painting, sculpting and printing.


Musical arts in Africa: theory, practice and education with its accompanying double compact disc and video will serve as a valuable resource for the students and educators. It will inspire fresh discussion on the role of the musical arts in Africa and affirm- in the manner of the slit drum on the cover, one of Africa’s oldest instruments of communication- the imperative of emphasing African perspectives in transmitting knowledge in modern Africa.
Out of stockNicholas Hlobo’s first monograph, published on the occasion of the Standard Bank Young Artist Award, traces his work from 2005 to 2009, including the making of his SBYA exhibition.


With her earliest work, Penny Siopis established herself as one of the most talented and challenging visual artists in and beyond South Africa. Penny Siopis: Time and Again engages in a variety of ways with her work of the past 35 years. A conversation between the artist and the editor, Gerrit Olivier, unfolds throughout the book, giving the reader fascinating insights into her working methods, her strong interest in form and different genres, her theoretical concerns and her views on the position of art in a socio-political context.
Out of stockSeason South Africa is a major program of contemporary visual and performing arts that runs from September 2004 through January 2005. Launched by the Museum for African Art and The Cathedral of St. John the Divine during the year that South Africa is commemorating its first decade of democracy, Season South Africa showcases some of that country’s most gifted and acclaimed contemporary visual and performing artists chosen by an international team of curators.

This 128-page supplement to the Personal Affects catalogue features photographs and an essay documenting the exhibition and performances at the Cathedral of St. John the Divine and the Museum for African Art, New York.

Peter Clarke is best known for work which reflects the harsh social realities of the disempowered in the Cape. Over the past few years he has been working on a series of collages, entitled Fanfare, which are each accompanied by prose.

This catalogue accompanied the exhibition that ran at Wits Art Museum, Johannesburg, in 2015, entitled Peter Schütz: An Eye On The World, celebrating the late artist’s legacy.

In Points for Departure ceramicist Dina Prinsloo documents her life’s work through a sumptuous collection of photographs, text, diagrams and notes. The book documents Prinsloo’s collaboration with prominent South African architects in which she has created sculptural objects and containers that become extensions of site and the built structure.
Out of stockPonte City dominates the Johannesburg skyline. This unavoidable 54-storey apartment building on the Berea ridge has become an icon of the city it towers over.

An essential guide to this important aspect of South African art, this book provides a comprehensive overview of printmaking in South Africa, replacing the now outdated monograph by F. L. Alexander.

Design and layout of a major book accompanying the inaugural exhibition at Norval Foundation, Re/discovery and Memory: The works of Sydney Kumalo, Ezrom Legae, Serge Alain Nitegeka and Edoardo Villa, curated by Karel Nel, 28 April – 10 September 2018.
Retrospectives of the work of both Sydney Kumalo and Ezrom Legae were shown alongside an exhibition of their friend and colleague Edoardo Villa, while Serge Alain Nitegeka was commissioned to create an immersive installation in the atrium.

Robin Rhode’s art uses the barest of means to comment on urban poverty, the politics of leisure and the commodification of youth culture. The artist has a reputation for brilliantly inventive performances, photography and video animation in which drawing plays a crucial role. In his works, which are often created on the street, Rhode interacts…
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