Showing 81–96 of 155 results
Let children jump into the lively and flourishing local art scene, see it in full colour, learn about the diverse paths of the artists and their fascinating artworks. In time your little wonder will soon have found their own South African art hero to look up to!
Foam Along the Waterline is a catalogue published to accompany Virginia MacKenny’s solo exhibition of paintings and etchings at the University of Cape Town Irma Stern Museum in September/October 2008.
2013 marked the centenary of the birth of Francois Krige (1913-1994). David Krut Projects celebrated the occasion with an exhibition of his work curated by Justin Fox, nephew of the artist and authority on his life and art. In addition to self-portraits spanning Krige’s career, the exhibition presents a selection of significant works on paper over six decades.
This book consists of 2 sections. In the first part Gordon Froud looks back over two decades of art making. The second part serves as a catalogue for two exhibitions: Modular Repetition, University of Johannesburg Gallery, 2008, and Second Hand Process, Worldart Gallery, Johannesburg, 2008. Both exhibitions were submitted in partial fulfilment of the requirements for the degree of Magister Technologiae: Fine Art in the Department of Visual Art at the University of Johannesburg.
This book accompanies Halakasha!, an exhibition curated by Fiona Rankin-Smith and held at the Standard Bank Gallery, Johannesburg, from 1 June – 17 July 2010
Handspring Puppet Company was founded by Basil Jones, Adrian Kohler, Jill Joubert and Jon Weinberg in 1981. They have produced eleven plays and two operas, collaborated with many different artists including Mali’s Sogolon Puppet Troupe and South African artist William Kentridge which opened in over 200 venues in South Africa and abroad.
Out of stockThrough these books, young people will discover this world of art by looking, thinking and discussing, by making and doing, by exploring different materials, and by expressing visual ideas of their own. The Imbali Artbooks consist of a box set of eight books. The series is structured around a number of themes and each chapter raises interwoven topics, issues and ideas that are engaging and relevant to young people in the 21st century.
While Johannes Phokela’s work is, at first glance, an irreverent representation of Western art history, it is the cultural and political consumption of pictures that interests him most. He is a voracious consumer of imagery, drawing not only on the iconic works of the European Masters – Rubens, Van Dyck, Caravaggio – but also on newspapers, magazines and the Internet. His is an ambitious exploration of the import of received art history on the one hand and the seemingly endless proliferation of images in popular culture on the other.
A catalogue of all works displayed at the Johannesburg Biennale of 1995. Please also be aware that the binding of the book is quite old and fragile.
Published in 2008 by Brusberg Berlin, to accompany the exhibition of the same title. John Meyer is one of South Africa’s leading contemporary realists. Born in 1942, Meyer has put his indelible stamp on the genres of landscape, portraiture and narrative art. Meyer became a professional painter in 1972. Since then he has travelled extensively,…
The new Constitutional Court of South Africa was inaugurated in 2004, ten years after the demise of apartheid and South Africa’s first democratic elections that brought the African National Congress and Nelson Mandela to power. The historic new building was the work of a team of young South African architects who had won the international competition for the design and building of the Court. Shortly after the opening of the Court, David Krut Publishing was approached to manage a competition for the design of a book on the architecture of this important building. The book design competition was won by Adele Prins of Flow Design and work on the book began in 2005.
Mapping Memory: Former Prisoners Tell their Stories is a project of Constitution Hill – the heritage precinct built around the Number Four prison complex that is now the home of the Constitutional Court. The project brought back former prisoners who were held in the Women’s Jail and Number Four and created the opportunity for them to give material form to their memories made fragile by the passage of time.
In Mapula: Embroidery and Empowerment in the Winterveld, Brenda Schmahmann discusses the complex circumstances that resulted in the founding of Mapula in 1991, when the Winterveld was part of the former ‘homeland’ of Bophuthatswana. The Mapula Embroidery Project in the Winterveld is one of the most important community art projects in South Africa.
A source of quickly accessible information providing broad coverage of electrical engineering and electronics, including electromagnetic fields, networks, signals and systems, digital and analog electronics, and power supplies
Accompanying catalogue for Matthew Hindley’s 2018 exhibition, The Divided Self.
Born in Cotonou, Benin in 1961, Meschac Gaba moved to the Netherlands in 1996 to take up a residency at the Rijksakademie. It was there that he conceived Museum of Contemporary African Art 1997 – 2002, an ambitious work, that took him five years to complete and that cemented his reputation as one of the most important artists working today.
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