Tyrone Appollis – Today and Yesterday
R140Today and Yesterday is a Catalogue of an exhibition of Tyrone Appollis’ work held at the Sanlam Art Gallery, Bellville, in 2006.
Showing 145–160 of 161 results

Today and Yesterday is a Catalogue of an exhibition of Tyrone Appollis’ work held at the Sanlam Art Gallery, Bellville, in 2006.

Published in 2014 by the Goodman Gallery on the occasion of the exhibition Unrest by Hasan and Husain Essop and the Standard Bank Young Artist Award for Visual Art 2014

exhibition catalogue of Vusi Khumalo’s solo show at Portland Gallery, London, in 2007
Out of stockThis text is available in yellow, green and red. It is not available in purple (pictured), nor blue.
The exhibition titled I Invented Myself consisted of works privately owned by well-known art collector and philanthropist Jack Ginsberg, who has over many years assembled an astonishing collection that includes more than 700 artworks, books, and collectibles by South African artist Walter Battiss, including some works which have never been on display in public before.
Out of stockKentridge made roughly one hundred drawings for the book, using collage on text pages torn from books he has cannibalized for years, such as Mrs Beaton’s Book of Household Remedies, and the French Larousse Encyclopaedia, favouring ink and brush drawing with crayon on the text pages.

William Kentridge: Thick Time undertakes an overview of the artist’s recent works, focusing on a sequence of five key pieces dating from 2003 to 2015. These encompass three immersive audiovisual installations, including The Refusal of Time, selected works on paper, and ideas for theatre and opera design.

This visually compelling publication highlights The Museum of Modern Art’s unparalleled collection of prints and books by William Kentridge – nearly fifty works spanning the past three decades. The book also features a succession of artistic interventions made by Kentridge especially for the occasion. Kentridge’s practice brings together drawing, film animation, books, sculpture and performance.

100 Notes, 100 Thoughts: Documenta Series 009
Our grasp of time continues to change, in wrenching ways. This is an exploration of these shifts and struggles, across drawing and text, music and movement, film and concepts.
Out of stockThe publication I Am Not Me, The Horse Is Not Mine (a Russian peasant expression used to deny guilt) is published by the Goodman Gallery, and contains a series of essays lecture notes, lecture extracts and commentary by William Kentridge on the eight films and performance event that was first presented to international acclaim at the Sydney Biennale, 2008.

Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which William Kentridge has embellished with black ink drawings of what might seem at first to be animal silhouettes.

David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.
Out of stockThis is the first book to document the work of this extraordinary artist, who exploded on the international art scene in 1997 after working for some 20 years little known outside of his native South Africa. The images in Kentridge’s films depict political realities, expressed in terms of individual human suffering.
Out of stockWilliam Kentridge is well known for his films, drawings, and theatre productions, but he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at the Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series.

Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making.

Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making.

William Kentridge’s WEIGHING and WANTING focuses in detail on the artist’s 1998 film of the same name and the drawings he used to make the film. Over 80 film stills punctuate the catalogue, enabling the reader to follow the film sequence. An insightful essay on the drawings and film, and biographic information about the artist…
No products in the basket.