A Universal Archive: William Kentridge as Printmaker
R1000This unique and beautifully presented book includes almost 100 prints from 1988 to the present, with a stress on experimental, collaborative and serial works.
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Cyclopedia of Drawing – William Kentridge
R3000Drawn right on top of a 1924 reference manual for technical drawing, this flip book by William Kentridge displays his own technical approach to a mechanical problem much more fanciful than those addressed by the original Cyclopedia of Drawing:
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Domestic Scenes
R2000Domestic Scenes feature the entire 54 images of Kentridge’s early series of work Domestic Scenes (1980). Domestic Scenes is published by Steidl, an international publisher of photobooks, and features an exquisite hard cover design with Kentridge’s signature on the cover page and a beautiful A1 poster of a photograph of young William Kentridge in his Parktown studio in Johannesburg, South Africa.
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Domestic Scenes – William Kentridge (Signed)
R4000Domestic Scenes feature the entire 54 images of Kentridge’s early series of work Domestic Scenes (1980). Domestic Scenes is published by Steidl, an international publisher of photobooks, and features an exquisite hard cover design with Kentridge’s signature on the cover page and a beautiful A1 poster of a photograph of young William Kentridge in his Parktown studio in Johannesburg, South Africa.
There are 16 variations of the book available, each distinct with a different front cover image of one of the works in the Domestic Scenes series. Clients are welcomed and encouraged to ask for the front cover variation that they would like.
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No It Is
R2000No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012.
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The Nose
R3000This publication is devoted to William Kentridge’s (born 1955) multimedia cycle The Nose (based on Gogol’s short story of the same name), comprised of the video installation “I Am Not Me, the Horse Is Not Mine,” plus sculptures, tapestries and works on paper. Kentridge describes this cycle as an elegy for the artistic language of the Russian Constructivists.
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Out of stockUniversal Archive (Parts 7 -23)
R400The Annandale exhibition UNIVERSAL ARCHIVE (Parts 7 – 23) is a comprehensive exhibition of new work encompassing all 250 metres of exhibition space at Annandale Galleries.
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What will come (Has Already Come)
R2500The drawing which Kentridge produced for his anamorphotic animated film “What Will Come” becomes a space-related sculpture through the view in the mirrored cylinder.
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William Kentridge – Why Should I Hesitate collectible box set (Signed)
R10000This beautiful collectible box set of William Kentridge’s Why Should I Hesitate retrospectives from Zeitz MOCAA and the Norval Foundation consists of the two-volume overview covering 40 years of Kentridge’s internationally acclaimed production in drawing, stop-frame animation, video, prints, sculpture, tapestry, and large-scale installation.
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Out of stockWilliam Kentridge: A Natural History of the Studio
R600In A Natural History of the Studio, acclaimed South African artist William Kentridge reflects on more than three decades of drawing, filmmaking and multimedia creation. Combining philosophical, autobiographical, technical and practical insight, the book draws readers into the studios and processes behind his remarkable body of work.
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William Kentridge: A Poem That Is Not Our Own (Signed)
R1500A Poem That Is Not Our Own establishes a link between his early drawings and films from the 1980s and 1990s and his most recent work, bringing into focus the thematic complex of migration, flight, and processions in his oeuvre. It illustrates how these themes first emerge in Kentridge’s early graphic work and grow more prominent over the years as he explores their potential in ever more opulent creations.
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William Kentridge: Carlton Centre Games Arcade
R1030This book is an opportunity for Kentridge enthusiasts to catch a glimpse of this little-known early series of 14 etchings and also offers a further taste of the ongoing catalogue raisonné project.
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William Kentridge: Catalogue Raisonné Volume 2: Prints and Posters 1991–2004
R6000Compiled by Kentridge expert Warren Siebrits, this second volume of William Kentridge’s (born 1955) catalogue raisonné immediately succeeds the first in its focus on graphics produced between 1991 and 2004.
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William Kentridge: Muizenberg
R850In 1976, just months after the Soweto Uprising, William Kentridge created images of South Africa’s Jewish community enjoying the sun on what was then the “whites-only” Muizenberg beach in Cape Town.
The book includes all twelve plates in the series as well as a sketchbook from Kentridge’s archive documenting his preparatory drawings for the prints.
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William Kentridge: Museum of Contemporary Art
R1500Published to accompany Kentridge’s first retrospective exhibition in the United States and South Africa, this fascinating book offers in-depth coverage of the artist’s animated films, drawings, and theater productions. Kentridge has also created 16 new, previously unpublished artist’s pages for the book.
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William Kentridge: Prints and Posters Catalogue Raisonné
R6000The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…
