The Art of Not Making tackles these questions head on, exploring the concepts of authorship, artistic originality, skill, craftsmanship and the creative act, and highlighting the vital role that skills from craft and industrial production play in the creation of some of today’s most innovative and sought-after works of art.
How many times have you read the caption next to a work of art in a museum or gallery, or a review of an exhibition, and found yourself none the wiser? The language in which modern art is described can be even more mystifying than the art itself. Now, a fully updated and expanded edition…
A founder of the leading design firm Pentagram, Alan Fletcher is considered by many in the graphic design world to be a contemporary master, known for his sharp and unerring sense of style. From the initial brief to the often award-winning outcome, here are over 100 of Fletcher’s design solutions.
How are the musical arts learnt and practised? What are the imperatives of indigenous theory for playing, dancing, improvising, narrating and composing with or without notation? How are the arts integrated and what is technology’s role in stimulating practice?
Includes inspiring contributions from professional writers, an in-depth look at the challenges involved in writing copy for brands and worked examples that cover writing for digital, brand storytelling, and packaging copy.
Through these books, young people will discover this world of art by looking, thinking and discussing, by making and doing, by exploring different materials, and by expressing visual ideas of their own. The Imbali Artbooks consist of a box set of eight books. The series is structured around a number of themes and each chapter raises interwoven topics, issues and ideas that are engaging and relevant to young people in the 21st century.
Let children jump into the lively and flourishing local art scene, see it in full colour, learn about the diverse paths of the artists and their fascinating artworks. In time your little wonder will soon have found their own South African art hero to look up to!
This project is the first to bring together such a wide range of local writers and perspectives. Project initiator and director Gavin Jantjes is a South African artist currently based at Norway’s National Museum. Pallo Jordan, former Minister of Arts and Culture, supported the idea with seed funding to commission and develop the manuscript. Jantjes, together with editor-in-chief, Mario Pissarra of Africa South Arts Initiative (ASAI), commissioned and oversaw the exciting process of writing the books.
This introduction examines the implications of these characteristics, looking in particular at the work of key artists: Carl Andre, Dan Flavin, Donald Judd and Sol LeWitt. It also focuses on the different emphases in each artist’s work. The book also looks at the varied types of criticism and interpretation to which minimalism has been subject over the years. It ends by discussing how minimalism, which has influenced almost every subsequent art movement, has continuing relevance for artists today.
This book is published on the occasion of the twentieth anniversary of The Paragon Press. It offers a survey of the publications of the last five years. The range of artists Charles Booth-Clibborn works with stretches across generations from Alan Davie and the late Terry Frost through to Jake and Dinos Chapman and Gary Hume as well as a younger generation of artists such as Gillian Carnegie and George Shaw.
Designed to stimulate and support facilitators, caregivers, and parents, this handbook about teaching art to children develops facilitators’ own creativity through guided creative processes.
Explores and explains basic layout techniques giving expert tips and demonstrating useful tricks employed by professionals. This illustrated book serves as a reference work for all professional designers. students and for anyone who wishes to present their ideas successfully and skillfully.
Warhol’s work reflected and commented on contemporary themes in American society: consumerism; celebrity; mass production; disaster and death. To capture these ideas he used a wide range of iconic images: Coca Cola; Marilyn Monroe; Elvis Presley; the electric chair; the crashed car; the race riot; and the atomic bomb. His openness to subject matter was matched by a willingness to explore all media, resulting in his innovative approach to painting, photography, drawing and printmaking, and his influential activity as an experimental filmmaker.