We, The People. 30 years of Art and Democracy in South Africa
R850We, the People bring together 70 contemporary artists and over 100 works that actively engage, challenge, and reimagine our political life.
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Out of stockWe, the People bring together 70 contemporary artists and over 100 works that actively engage, challenge, and reimagine our political life.
Out of stockThis landmark publication accompanies an international touring exhibition devoted to Black figuration in painting from the 1920s to now, featuring artists from Africa and the African diaspora.
Out of stockIn A Natural History of the Studio, acclaimed South African artist William Kentridge reflects on more than three decades of drawing, filmmaking and multimedia creation. Combining philosophical, autobiographical, technical and practical insight, the book draws readers into the studios and processes behind his remarkable body of work.

A Poem That Is Not Our Own establishes a link between his early drawings and films from the 1980s and 1990s and his most recent work, bringing into focus the thematic complex of migration, flight, and processions in his oeuvre. It illustrates how these themes first emerge in Kentridge’s early graphic work and grow more prominent over the years as he explores their potential in ever more opulent creations.

Compiled by Kentridge expert Warren Siebrits, this second volume of William Kentridge’s (born 1955) catalogue raisonné immediately succeeds the first in its focus on graphics produced between 1991 and 2004.

In 1976, just months after the Soweto Uprising, William Kentridge created images of South Africa’s Jewish community enjoying the sun on what was then the “whites-only” Muizenberg beach in Cape Town.
The book includes all twelve plates in the series as well as a sketchbook from Kentridge’s archive documenting his preparatory drawings for the prints.

The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…

The print companion to Kentridge’s latest film series, bringing to life the eccentric, whimsical world of the artist’s mind and his studio
Out of stock
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment.

This book is a tribute to Ainslie’s life and legacy – his vibrant painting practice, radical teaching philosophy, and deep commitment to community. Through a composite of voices, memories and archival material, it offers a multifacted portrait of an artist whi believed that freedom in art could help shape freedom in society.

Liberated Voices highlights major trends in contemporary artistic practice in South Africa, bringing together a cross-section of paintings, sculptures, installations, photographs, and videos created since 1994.

In the World presents a collection of essays by Cape Town cultural analyst and art critic Ashraf Jamal focused on 24 South African artists working in painting, photography, sculpture and performance. Aimed at a wide, international audience, the texts reconfigure the national narrative of South African art within a broader African and global context. From identity politics to the boom of “African art” in a global contemporary art market, Jamal explores a variety of issues at the heart of South African art practice.

Drawing inspiration from the work of the Truth and Reconciliation Commission, a restorative justice body assembled in South Africa after the abolition of apartheid, Georgette created this provocative and moving series entitled “A Just Society”.

A Labour of Love offers a new look at contemporary South African Art in the 1980s. This publication contains, alongside recently discovered works by young South African artists, new essays by international art specialists, interviews with artists, previously unpublished archival material, and more than 300 illustrations of artworks.

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