Showing 81–96 of 121 results
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R250John Martin Gallery was pleased to present South African artist Deborah Bell’s exhibition A Far Country. This was Deborah’s second UK exhibition which brings together recent sculptures and paintings from the last four years including her major series based on the song, See Line Woman. The show also provided an opportunity to exhibit two of…
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R180In March / May 2008 a curated exhibition of South African sculptor Edoardo Villa’s work, entitled Changing Worlds, was presented at the Nirox Sculpture Park, Cradle of Humankind.
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R3000These extremely rare prints, most of them made by Cole himself and most never previously exhibited, form the core of this exhibion and book. This book tells the story of Ernest Cole’s life, both in his own words and through the reminiscences and writings of those people who knew him personally and professionally.
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R400Frank Spears – the painter is a visual biography which traces his life from his humble beginnings in Birmingham to his professional life in Cape Town where he met his wife of almost 60 years, the poet, Dorothea Spears.
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R200Frederick Hutchinson Page was an artist who is regarded as South Africa’s foremost Surrealist painter. He died in 1984 at the age of 76 having produced a body of work which is remarkable not only for its unique personal imagery, but which is also one of the few examples, in the 20th century, of an painter who portrays with some accuracy, the particular architectural features of the city in which he lived. Between 1947 and 1980, Port Elizabeth, South Africa, formed the backdrop for his extraordinarily fertile visual imagination. Reclusive by choice, he lived in an area close to the city’s harbour called Central where most of the material he used for the images was gleaned from sketches and photographs.
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R750Gavin Rain’s catalogue from 2015, showing recent works.
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R800Discovering the Object refers, in the first place, to the work of Guy du Toit. In the second place, it proposes the book itself as an object to discover.
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R560Harold Voigt has, over the past 35 years, produced an impressive oeuvre which distinguishes him as one of South Africa’s finest painters. However varied the subject matter of his paintings, the brilliance of execution ensures that in each instance that timeless moment is reached when craftsmanship transcends into art, and each painting resonates with a life of its own.
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R420Artist/potter Hylton Nel, who celebrates his 70th birthday in 2011, has developed a distinctive style of work, rich in references to the decorative arts, literature, art history and South African life
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R340This lavishly illustrated book on Hylton Nel and his work, jointly published by Michael Stevenson and the Fine Arts Society in London, includes a long interview with Nel on his life and work.
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R250Vladimir Tretchikoff’s Chinese Girl is one of the most famous images of all time. Known as the ‘Green Lady’, it has been reproduced countless times, appearing everywhere from mugs and T-shirts to pop videos and blockbuster films.
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R300IN 2009/10, Jo Ractliffe traced the routes of the ‘Border War’, fought by South Africa in Angola through the 1970s and 80s. Following Terreno Ocupado, which focused on Luanda five years after the country’s civil war ended, As Terras do Fin do Mundo shifts attention away from the urban manifestation of aftermath to the space of war itself.
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R150exhibition catalogue for Jo Smail’s solo show at Goya Contemporary, Baltimore, USA, in 2017.
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R600Painter, book illustrator, graphic artist and son of a well-known family, Francois Krige was a reclusive man. Many of his paintings, beautiful and evocative, were discovered after his death and reproduced for the first time in this book.
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R300This was a survey exhibition of the ceramics made by Katherine Glenday since graduating with a degree in ceramics and fine art in the 1980s.
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R150This exhibition seeks to look at the disillusion which many Black South Africans face with the advent of democracy. “A disillusion which [we] are complacent about, especially those of us who are privileged… It is this complacency that Urbanation seeks to tear asunder, though be it in the most poetic of ways.”