Showing 49–58 of 58 results
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R150Mmakgabo Sebidi traverses mental and physical landscapes with an eye trained on the dangerous, the discomfiting, the traumatic and the ecstatic in human experience. She is deeply grounded in her rural upbringing and traditions but also finely attuned to the rhythms of the city in which she has spent much of her adult life. Sebidi brings together these two worlds in works of great visionary and prophetic power. Her themes are wide-ranging: her cultural roots, the wisdom of the ancestors, the ravages of the modern world on the human psyche, the loss of tradition, the potential of human creativity to build relationships and restore the past.
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R150Paul Stopforth is known in South Africa for work that comments on the harshness and injustices of life under apartheid. His art – comprising sculpture, drawing, painting, and printmaking – is not, however, narrowly political but instead occupies a space ‘between the material and the spiritual, imaging finitude and mortality’.
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Out of stockBorn in Ethiopia in 1974, Aida Muluneh has since lived around the world – from Yemen to the United Kingdom to Cyprus, Canada and the United States. In 2000, she graduated with a degree in Film from Howard University in Washington D.C., then she worked as a photojournalist as the Washington Post.
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R300This book accompanied an exhibition that opened at the National Arts Festival in 2004. It considers work by a range of women artists who have represented themselves and their bodies in their work. The book is accompanied by an education supplement written by Philippa Hobbs. The educational supplement has been designed as a guide for…
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R700“It’s not a mistake to see a shape in the cloud. That’s what it is to be alive with your eyes open; to be constantly, promiscuously, putting things together”. – William Kentridge.
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R1000“It’s not a mistake to see a shape in the cloud. That’s what it is to be alive with your eyes open; to be constantly, promiscuously, putting things together”. – William Kentridge.
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R1500David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.
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R900William Kentridge is well known for his films, drawings, and theatre productions, but he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at the Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series.
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R1000
Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making.
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R500Wired presents a distinctive art form created within the rich cultural context of contemporary Zulu/South African culture. The book showcases hundreds of extraordinary, colourful telephone wire baskets – a craft based on Zulu traditions, using recycled materials.
