• Prints and Drawings of Käthe Kollwitz

    Prints and Drawings of Käthe Kollwitz

    R470

    The present collection contains 83 of Mrs. Kollwitz’s finest works, including the last great print cycles: “The Weavers” of 1898; “The Peasant War” of 1908; “War” of 1925; and “Death” of 1935.

  • Prints and their makers (Hardback)Out of stock

    Prints and their makers (Hardback)

    R1500

    Prints and Their Makers takes you behind the scenes to witness the creative process at the world’s top printmaking workshops. Master printer Phil Sanders offers an in-depth look at this versatile medium and places contemporary prints and practices in the context of traditions and techniques developed over more than a thousand years.

  • Spring Cannot be Cancelled : David Hockney in Normandy

    Spring Cannot be Cancelled : David Hockney in Normandy

    R560

    So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.

  • Ten Years of CollectingOut of stock

    Ten Years of Collecting

    R185

    Ten Years of Collecting (1979-1989), David Hammond-Tooke and Anitra Nettleton, softcover, published by the University of the Witwatersrand, 1989, tearing, creasing and wear to cover, shelf wear.

  • The Art of Print : Three Hundred Years of Printmaking

    The Art of Print : Three Hundred Years of Printmaking

    R625

    Art historian and curator Elizabeth Jacklin’s The Art of Print: From Hogarth to Hockney is a concise and beautifully illustrated introduction to printmaking that uses highlights from Tate’s extensive print collection.

  • The Digital Print

    The Digital Print

    R700

    This invaluable resource demystifies the complex, rapidly changing, and sometimes confusing world of digital print technologies. It describes the major digital printing processes used by photographers and artists over the past forty years, explaining and illustrating materials and their deterioration, methods of identification, and options for acquiring and preserving digital prints. A removable chart provides a ready reference for identifying specific materials.

  • The Paris of Toulouse-Lautrec : Prints and Posters from the Museum of Modern ArtOut of stock

    The Paris of Toulouse-Lautrec : Prints and Posters from the Museum of Modern Art

    R700

    Though deeply engaged with painting and drawing, Toulouse-Lautrec’s lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography’s new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector’s living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art’s collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec’s prints from the Museum’s collection, each accompanied by an illuminating essay on the theme.

  • The Printed PictureOut of stock

    The Printed Picture

    R700

    Presented as a series of one-page essays opposite the pictures they examine, the book retains the lively, engaging style of the informal lectures through which Benson developed his ideas over the course of 30 years at Yale University. Rooted in hands-on descriptions of practical techniques, The Printed Picture offers a rich and imaginative interpretation of the enormous cultural and social influence of multiple images.

  • The PrintmakerOut of stock

    The Printmaker

    R300

    When a reclusive printmaker dies, his friend inherits the thousands of etchings and drawings he has stored in his house over the years. Overwhelmed by the task of sorting and exhibiting this work, she seeks the advice of a curator.

     

  • Warhol : A Life as Art

    Warhol : A Life as Art

    R380

    Warhol sought out all the most glamorous figures of his times – Susan Sontag, Mick Jagger, the Barons de Rothschild – despite being burdened with an almost crippling shyness. Behind the public glitter of the artist’s Factory, with its superstars, drag queens and socialites, there was a man who lived with his mother for much of his life and guarded the privacy of his home. He overcame the vicious homophobia of his youth to become a symbol of gay achievement, while always seeking the pleasures of traditional romance and coupledom.

  • William Kentridge: A Poem That Is Not Our Own (Signed)

    William Kentridge: A Poem That Is Not Our Own (Signed)

    R1500

    A Poem That Is Not Our Own establishes a link between his early drawings and films from the 1980s and 1990s and his most recent work, bringing into focus the thematic complex of migration, flight, and processions in his oeuvre. It illustrates how these themes first emerge in Kentridge’s early graphic work and grow more prominent over the years as he explores their potential in ever more opulent creations.

  • William Kentridge: Prints and Posters Catalogue Raisonné

    William Kentridge: Prints and Posters Catalogue Raisonné

    R6000

    The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…

  • William Kentridge: Royal Academy of ArtsOut of stock

    William Kentridge: Royal Academy of Arts

    R1000

    In a brilliant exposition of Kentridge’s output, Stephen Clingman, Distinguished Professor of English at the University of Massachusetts, Amherst, undertakes a series of enquiries, of walks around the artist and his practice, through the various layers and linkages, crossings and connections of his art.

  • A Picasso Portfolio

    A Picasso Portfolio

    R500

    Printmaking was fundamental to Pablo Picasso’s artistic vision. Over his long career, he made well over 2,000 printed images, focusing on the intaglio techniques of etching, engraving, drypoint and aquatint, as well as on lithography and linoleum cut. This publication, published to accompany an exhibition at The Museum of Modern Art, explores Picasso’s creative process in printmaking starting in the early years of the twentieth century with his Blue and Rose periods, and extending up to the last years of his life.

  • Bridget Riley: Complete Prints

    Bridget Riley: Complete Prints

    R400

    Newly designed and expanded, this 2010 edition of Bridget Riley: Complete Prints includes every print from the early 1960s to the present day. This beautiful catalogue raisonne featuring Bridget Riley’s graphic work now shows each print on its own page. Alongside a full color inventory of the prints are essays by Lynne MacRitchie and Craig…

  • Chakaia Booker - "Print Me"Out of stock

    Chakaia Booker – “Print Me”

    R200

    David Krut Projects is pleased to present Print Me, the first exhibition dedicated to Chakaia Booker’s prints. Booker began collaborating with Master Printer, Phil Sanders, of Robert Blackburn Printmaking Workshop in 2009, and has created over 100 unique prints to date.