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Author Catherine Brooks is a master printer at Crown Point Press, printers and publishers of etchings since 1962, and she draws on the venerable history of that institution to create an inspirational and highly usable how-to book. Crown Point Press founder, Kathan Brown, adds an appendix on hand-wiping and printing that teaches you to ink…
Is a work of art still a work of art if it exists in several hundred identical examples? This illuminating introduction to masterpieces of printmaking reveals why prints can be considered to be every bit as original as any other visual art form. Offering a fresh look at printmaking, this stunningly illustrated book explores…
There are two central pillars to an understanding of Paula Rego the artist. Firstly that she is pre eminently a draughts-woman of extraordinary range, both stylistically and emotionally, and secondly that she is the quintessential storyteller. Together, these two attributes make printmaking a highly appropriate medium within which to explore her fertile and often dark…
The first comprehensive survey of Rembrandt in years concentrates on his talent for visual storytelling, via paintings, prints, and drawings. Rembrandt changed the course of art history not only as a painter but also as a draftsman and printmaker. His output of some 300 etchings and drypoints represents a lifelong commitment to printmaking unequaled by…
Reissued with gilded page edges to celebrate Tate Britain’s William Blake exhibition, this beautiful book of The Songs of Innocence and of Experience is an authentic edition of this rare and wonderful collection of poetry reproducing William Blake’s own illumination and lettering from the finest existing example of the original work.
Out of stockThe catalogue, “Be Careful In The Working Radius, was printed alongside the namesake exhibition. This exhibition is the culmination of the most recent work Stephen Hobbs has been making at DKW.
Early in his career, Stephen Hobbs recognised the need to develop his practice across the disciplines of artistic production, curatorial practice and cultural management. Through committed urban investigation and experimentation, focused primarily on Johannesburg since 1994, he has sustained a dialogue with urban space through video, installation, curated projects, photography and sculpture.
It is hard to imagine anything less obviously poetic than the machineries of mining or the scarred landscapes left over when mineral wealth has been extracted from the earth.
David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.
William Kentridge is well known for his films, drawings, and theatre productions, but he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at the Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series.
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