A Universal Archive: William Kentridge as Printmaker
R1000This unique and beautifully presented book includes almost 100 prints from 1988 to the present, with a stress on experimental, collaborative and serial works.
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Cyclopedia of Drawing – William Kentridge
R3000Drawn right on top of a 1924 reference manual for technical drawing, this flip book by William Kentridge displays his own technical approach to a mechanical problem much more fanciful than those addressed by the original Cyclopedia of Drawing:
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No It Is
R2000No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012.
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The Nose
R3000This publication is devoted to William Kentridge’s (born 1955) multimedia cycle The Nose (based on Gogol’s short story of the same name), comprised of the video installation “I Am Not Me, the Horse Is Not Mine,” plus sculptures, tapestries and works on paper. Kentridge describes this cycle as an elegy for the artistic language of the Russian Constructivists.
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Universal Archive (Parts 7 -23)
R400The Annandale exhibition UNIVERSAL ARCHIVE (Parts 7 – 23) is a comprehensive exhibition of new work encompassing all 250 metres of exhibition space at Annandale Galleries.
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What will come (Has Already Come)
R2500The drawing which Kentridge produced for his anamorphotic animated film “What Will Come” becomes a space-related sculpture through the view in the mirrored cylinder.
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William Kentridge: A Poem That Is Not Our Own (Signed)
R1500A Poem That Is Not Our Own establishes a link between his early drawings and films from the 1980s and 1990s and his most recent work, bringing into focus the thematic complex of migration, flight, and processions in his oeuvre. It illustrates how these themes first emerge in Kentridge’s early graphic work and grow more prominent over the years as he explores their potential in ever more opulent creations.
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William Kentridge: Carlton Centre Games Arcade
R1030This book is an opportunity for Kentridge enthusiasts to catch a glimpse of this little-known early series of 14 etchings and also offers a further taste of the ongoing catalogue raisonné project.
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Out of stockWilliam Kentridge: Self-Portrait as a Coffee-Pot
R4000The print companion to Kentridge’s latest film series, bringing to life the eccentric, whimsical world of the artist’s mind and his studio
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Waiting for the Sibyl
R3000The text in this book is essentially the libretto of the chamber opera WAITING for the SIBYL, which was made for the Teatro dell’Opera di Roma and first performed there in September 2019. Music for the opera was composed by Nhlanhla Mahlangu and Kyle Shepherd.
