Showing 161–176 of 181 results

  • The Indiscipline of Painting

    R500

    The Indiscipline of Painting, published to accompany an international group exhibition at Tate St Ives, explores how the history and legacy of modernist abstract painting continues to inspire painters and artists working today. Through a series of essays by leading critics and curators this beautifully illustrated book demonstrates how the language of abstract painting remains…

  • The London Art Schools

    Since 1960, progressive forces within art education have fired new impulses in the field of artistic production. As society at large embraced youth and popular culture, art-school students with international aspirations tore down class barriers, fused fashion with pop, and insisted that art was integral to social change.

  • The Most Popular Art Exhibition Ever

    R270

    Conceived in parallel to Grayson Perry’s exhibition The Most Popular Art Exhibition Ever!, this catalogue brings together visual material and texts that expand on the themes raised in the show.

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  • The Pre-Raphaelites (Colour library series)


    The Pre-Raphaelite Brotherhood had a dynamic influence upon the Victorian era. The painters, including Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais, fought against an increasing mechanized society to establish the artist as a creative individual, attempting to raise art from the triviality into which it had fallen.

  • Out of stock

    The Sorcerer’s Apprentice – Picasso, Provence, and Douglas Cooper

    R300

    John Richardson brings the same dazzling narrative style to this memoir as he did to Volumes I and II of A Life of Picasso. Robert Hughes called the second volume “a masterpiece in the making, the most illuminating biography yet written on a twentieth-century visual artist and the only one that can sustain comparison with Painter on Proust, Ellman on Joyce, or Edel on Henry James”; he also praised Richardson’s “crispness of writing” and “impressive eye for the offbeat or scandalous detail.” All these qualities conspire to make The Sorcerer’s Apprentice a brilliant and fascinating chronicle.

  • The World Goes Pop

    R750

    The World Goes Pop explores the contemporaneous engagements with a spirit of pop throughout the globe, concentrating not only on the relatively well-covered activity in the US, UK and France but also on developments throughout Central and Eastern Europe, Latin America, Asia, Africa and the Middle East.

  • They EY Exhibition: Impressionists in London- French Artists in Exile

    R770

    The EY Exhibition: Impressionists in London: French Artists in Exile charts the story of the French artists who took refuge in London during and after the devastating Franco-Prussian War and the Paris Commune. Following these traumatic events there was a creative flourishing in London as the exiles responded to British culture and social life regattas, processions, parks, and of course the Thames.

  • Sale!

    This is Bacon

    Original price was: R220.Current price is: R180.

    Francis Bacon was one of the giants dominating the artistic landscape of the mid-twentieth century, and served as the inspiration and launching point for much of the figural and abstract art that came after him.

  • Tiepolo and the Pictorial Intelligence

    R370


    Tiepolo is a brilliant example of the specifically pictorial intelligence. This book is both a study of his art and an argument for fuller recognition of the peculiarities of the painters’ representational medium. Svetlana Alpers and Michael Baxandall locate distinctive modes of Tiepolo’s representation of the world and human action; follow his process of invention from first pen drawings through small oil-sketches to great frescoes; and analyze his best and biggest painting, the Four Continents, in the Stairway Hall of the Prince-Bishop’s Residence at Wurzburg, which is illustrated with photographs specially taken for the book.

  • Van Doesburg and the International Avant-Garde

    R320

    Dutch artist Theo van Doesburg (1883 – 1931) is perhaps best known as a prime mover in De Stijl, the Dutch artistic movement that demanded an extreme simplicity and abstraction in both architecture and painting. Here, for the first time, the true extent of his influence is explored, demonstrating that it reached far beyond Holland, throughout Europe, into Russia and beyond.

  • Vienna 1900

    R190

    Fifty or so artists with a different sensibility and a common determination: to be free of the bourgeois morality and its obsolete traditions. To break with the classicism of the Austro-Hungarian Empire on its decline. The Vienna Secession, founded in 1897, would shape a distinctive form of art in Vienna and all over the world.

  • Vienna 1900

    R180

    Discover turn-of-the-century Vienna in this exploration of its most important protagonists, complete with sumptuous double-page reproductions across painting, sculpture, architecture, and design, as well as an essay by Rainer Metzger. Marking the centenary of the deaths of masters Klimt, Schiele, Wagner, and Moser, this collection joins the Austrian capital in its 2018 celebration of Modernism.    

  • Vitamin 3-D: New Perspectives In Sculpture and Installation

    R900

    Vitamin 3-D: New Perspectives in Sculpture and Installation is an up-to-the-minute survey of current global developments in contemporary sculpture and its close relative, installation. This vast medium of sculpture continues to be a central pillar of artistic practice, and Vitamin 3-D presents the outstanding artists who are engaging with and pushing the boundaries of the medium.

  • Vitamin C: Clay and Ceramic in Contemporary Art

    R1000

    A global survey of 100 of today’s most important clay and ceramic artists, chosen by leading art world professionals.

     

  • Voice Overs

    R150

  • Out of stock

    Why Photography Matters As Never Before – Michael Fried

    R495

    From the late 1970s onward, serious art photography began to be made at large scale and for the wall. Michael Fried argues that this immediately compelled photographers to grapple with issues centering on the relationship between the photograph and the viewer standing before it that until then had been the province only of painting.