Showing 465–480 of 760 results

  • Future Beauty: 30 Years of Japanese Fashion

    R700

    The first comprehensive survey of Japanese avant-garde fashion of the last thirty years, Future Beauty explores the distinct sensibility of Japanese design – the uniqueness of its form, cut and fabric. In the late twentieth century such designers as Issey Miyake, rei Kawakubo and Yohji Yamamoto made an enormous impact on world fashion, challenging established notions of beauty and turning fashion into art. Today a new generation of radical designers, among them Junya Watanabe, Jun Takahashi and Tao Kurihara, is gaining acclaim.

  • G: An Avant-Garde Journal of Art, Architecture, Design, and Film: 1923-1926

    R350

    The journal “G,” launched at the suggestion of the founder of the De Stijl movement, Theo van Doesburg, and produced by the artist and filmmaker, Hans Richter, was published in Berlin between 1923 and 1926, when the city was an epicentre of the European avant-gardes. Drawing together painting, sculpture, photography, film, architecture, engineering, industrial design, poetry, fashion, and urbanism, it sought to counter conservative forces that would restrict the development of a new and vital culture.

  • Gabriel Orozco

    Gabriel Orozco was born in Veracruz in Mexico in 1962. Since the early 1990s, his career has been characterised by constant surprise and innovation. He roams freely and fluently between drawing, photography, sculpture, installation and painting, creating a body of work that resists categorisation. Ranging from subtle interventions in the landscape to meticulously executed sculptures…

  • Gabriel Orozco (Tate Modern Artist Series)

    R150

    Gabriel Orozco, born in Mexico, in 1962, is one of the most influential artists of his generation. Dividing his time between Mexico City, Paris and New York, his constant travelling has been as much a part of his artistic practice as a lifestyle. His works, often playful and characterised by an ironic humour, range from…

  • Gary Hume: American Tan

    R330

    Catalog bound in stiff wraps titled GARY HUME:American Tan (Gloss, Charcoal, Bronze, Marble). Published by White Cube, London to accompany the Exhibition Gary Hume:American Tan, 5 September – 6 October 2007.

  • Gary Stephens: The Ankara Portraits

    R250

    Exhibition Catalogue accompanying the exhibition, Ankara Portraits by American artist Gary Stephens is a compilation of works over a period of four years, which portrays a theme that could be described as an open African style featuring recent paintings completed on Ankara fabrics.

  • Gaudi Pop-Ups

    R440

    Specially created pop-ups explore the vision and creations of this seminal architect.

    “Those who look for the laws of Nature as a support for their new works collaborate with the creator.” ?Antoni Gaudí

  • Gauguin

    R115

    Nancy Ireson is the Schroder Foundation Curator of Painting at the Courtauld Gallery, and specialises in French art of the late nineteenth and early twentieth centuries.

  • Gauguin: Maker of Myth

    R300

    French painter, sculptor and printmaker Paul Gauguin was born in Paris in 1848 and died in French Polynesia in 1903. The vivid, unnaturalistic colors and bold outlines of his paintings and the strong, semi-abstract quality of his woodcuts had a profound effect on the development of twentieth-century art. But while modern art largely shunned narrative, for Gauguin it remained central.

  • George Lois: On His Creation of the Big Idea

    R600

    George Lois is advertising s most famous art director. He founded the creative revolution that spawned modern advertising, as his iconoclastic talent created icons dramatizing the problems, solutions, foibles, and promises of American life.

  • British Artists: George Stubbs

    R175

    In this study, Martin Myrone presents a less familiar account of the artist. From his earliest anatomical studies through to his depictions of exotic animals and experiments with the industrialist Josiah Wedgwood, Stubbs is shown to have been dynamically engaged with the science, technology and popular culture of his day. He emerges from this new account as an artist more experimental and challenging than is conventionally thought.

  • Gerhard Richter – Panorama

    R700

    Gerhard Richter: Panorama is the first and most complete overview of Richter’s whole career. Where previous monographs have focused on a single aspect of his work, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity. It includes his photo- paintings, abstracts, landscapes and seascapes, portraits, colour charts, glass and mirror works, sculptures, drawings and photographs, providing the definitive account of Richter’s colossal artistic achievements.

  • Gilbert & George: The Complete Pictures

    R3500


    Gilbert and George are the pre-eminent artists of their generation. Exhibited worldwide since the early 1970s, their art has attracted both enormous acclaim and fierce controversy. At last, on the eve of a massive retrospective that will tour six venues across the globe, a book is published that does justice to the scale, depth and ambition of their artitic achievement.

  • Glenn Ligon: Encounters and Collisions

    R660

    Glenn Ligon (b. 1960) is one of the most significant American artists of his generation. Much of his work relates to abstract cxpressionism and minimalist painting, remixing formal characteristics to highlight the cultural and social histories of the time, such as the civil rights movement.

  • Graffiti World

    R220

    Graffiti World, now updated, is the most comprehensive and bestselling survey of graffiti art ever published. The original collection of more than 2,000 illustrations by over 150 artists around the world is joined by a new section devoted to work created in the five years since the book’s first edition.

  • Grand Scale: Monumental Prints in the Age of Dürer and Titian

    R600

    “Grand Scale” brings to light rare surviving examples of mural-size prints – a Renaissance art form nearly lost from historical record.