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Produced to accompany the first major survey of William Blake’s work to be held since 2000, this richly illustrated paperback catalogue celebrates William Blake as a visual artist for the twenty-first century.
More than 150 years after his death, William Blake (1757–1827) remains a cryptic and controversial figure. Equally gifted as a poet and a painter, he produced work that is as arresting for its beauty as for its strangeness. With this fresh examination of Blake’s unfolding career, William Vaughan presents an artist with a radical and utterly individual vision, who was deeply concerned with the social, religious, and political issues of his age.
“It’s not a mistake to see a shape in the cloud. That’s what it is to be alive with your eyes open; to be constantly, promiscuously, putting things together”. – William Kentridge.
“It’s not a mistake to see a shape in the cloud. That’s what it is to be alive with your eyes open; to be constantly, promiscuously, putting things together”. – William Kentridge.
David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.
William Kentridge is well known for his films, drawings, and theatre productions, but he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at the Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series.
This gift book celebrates the highs and lows of the winter season through art drawn from Tate’s collection. Divided into key themes – ‘Seasonal Views & Landscapes’, ‘Religious Imagery’, ‘Celebration & Festivity’ and ‘Friends & Family/Journeying’ – each of the works of art included has been individually selected for the particular way in which the artist has attempted to capture this special time of year.
This remarkable exhibition assembled a diverse group of Cuban contemporary artists devoted to two fascinating themes: on the one hand, an insight into contemporary Afro-Cuban cultural and religious traditions and, on the other, an intense dialogue on the complex racial issues affecting the country today
This new survey provides a complete history of American art and architecture from its seventeenth-century colonial beginnings to the latest installation and video work
Although Pieter Bruegel’s pictures have been celebrated throughout the past four hundred years, the artist himself remains a shadowy and misunderstood figure.
Outsider Art is the work produced outside the mainstream of modern western art by self-taught, untrained visionaries, spiritualists, eccentric recluses, folk artists, psychiatric patients, criminals and others beyond the margins of society and the art market. Coined in 1972, the term in English derived from Jean Dubuffet’s ‘Art
James Trilling presents an immense variety of ornament from the Paleolithic Age to the present day, enabling the reader to appreciate inherent form and beauty, as well as historical importance across cultures – whether in the monumental architecture of Mycenean Greece or the inlaid vessels of Zhou Dynasty China, in the bronze mirrors of early Celtic Britain or the carved or worn ornament of Native Americans.
Writing the City into Being is Bremner’s long-awaited collection of essays, spanning more than a decade of work on Johannesburg. It is both an unflinching analysis of the characteristics of an extraordinary city and a work of imagination – a bringing of the evasive city into being through writing.
Wyndham Lewis (1882-1957), the self-styled ‘Enemy’, was the most important British writer-artist of the twentieth-century. In this, the first introduction to explore Lewis’s work both as painter and a writer, Richard Humphreys examines his hugely varied output, and explains his ideas about art, life and politics.
The Museum of Modern Art is now in the midst of the largest building project in its history. Designed by Yoshio Taniguchi, the new Museum will reopen in midtown Manhattan in winter 2004-05 to coincide with its 75th anniversary. The 630,000-square-foot Museum will be nearly twice the size of the former facility, offering dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and scholarly research.
The career of French artist Yves Klein lasted just eight years (from 1954 to 1962), but in that short span he took Europe by storm.
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