• Tate Watercolour Manual - Lessons from the Great Masters

    Tate Watercolour Manual – Lessons from the Great Masters

    R200

    Joyce Townsend and Tony Smibert have used their considerable expertise to develop a book with a breadth of content suitable for anyone who wants to become a painter in watercolour.

  • TAXI-012: Sandile Zulu

    TAXI-012: Sandile Zulu

    R200

    TAXI-012 SANDILE ZULU, the 12th title in the TAXI Art series, is the first book on the work of Sandile Zulu. Over the last decade, Zulu has developed a working method that relies as much on rhythm and repetition as it does on the unpredictability of the elements – fire, water, found objects – he uses. He is, as Colin Richards notes in his meticulously researched essay, a pyromancer, a collector of natural elements, and a scavenger after industrial debris.

  • TAXI-014: Mmakgabo Mmapula Mmankgato Helen Sebidi

    TAXI-014: Mmakgabo Mmapula Mmankgato Helen Sebidi

    R200

    Mmakgabo  Sebidi traverses mental and physical landscapes with an eye trained on the dangerous, the discomfiting, the traumatic and the ecstatic in human experience. She is deeply grounded in her rural upbringing and traditions but also finely attuned to the rhythms of the city in which she has spent much of her adult life. Sebidi brings together these two worlds in works of great visionary and prophetic power. Her themes are wide-ranging: her cultural roots, the wisdom of the ancestors, the ravages of the modern world on the human psyche, the loss of tradition, the potential of human creativity to build relationships and restore the past.

  • The Ceramic Art of Robert Hodgins

    The Ceramic Art of Robert Hodgins

    R720

    In this title Retief van Wyk documents the ceramic works produced by Robert Hodgins with his assistance and the well researched essays explore the influences which form Hodgins’ art and the nature of the ceramic works.

  • The Indiscipline of Painting

    The Indiscipline of Painting

    R500

    The Indiscipline of Painting, published to accompany an international group exhibition at Tate St Ives, explores how the history and legacy of modernist abstract painting continues to inspire painters and artists working today. Through a series of essays by leading critics and curators this beautifully illustrated book demonstrates how the language of abstract painting remains…

  • The Mlungu in Africa: Art from the Colonial Period, 1840-1940Out of stock

    The Mlungu in Africa: Art from the Colonial Period, 1840-1940

    R400

    This work examines African art that engages with the presence of white people in the ‘contact zones’ and colonial states in sub-Saharan Africa.

  • The Most Popular Art Exhibition Ever

    The Most Popular Art Exhibition Ever

    R270

    Conceived in parallel to Grayson Perry’s exhibition The Most Popular Art Exhibition Ever!, this catalogue brings together visual material and texts that expand on the themes raised in the show.

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  • The Prints of Wilhelmina Barns-Graham - A Complete CatalogueOut of stock

    The Prints of Wilhelmina Barns-Graham – A Complete Catalogue

    The Prints of Wilhelmina Barns-Graham – A Complete Catalogue is the first book to provide a full account of the printmaking career of British artist Wilhelmina Barns-Graham, with particular reference to the technical innovations she pioneered while working in association with master-printers.

    Wilhelmina Barns-Graham experimented with a variety of printmaking techniques, finally discovering her ideal means of expressions in screenprinting. Through partnerships with innovative printmakers, the artist experimented with new techniques and materials that allowed her to create prints which, in their intensity of colour and precision of design, have the quality almost of paintings.

    Based on new research, and drawing on information contained in her numerous diaries, The Prints of Wilhelmina Barns-Graham incorporates a complete illustrated catalogue of all her known work in etching, linocut, lithography, screenprinting and monotype, from 1946 to 2007. It considers her work in relation to that of other British artists, especially those connected with the St Ives school, and examines her prints in relation to her work in other media, in particular, her paintings. This book will prove an invaluable resource for museum curators, students of British art and twentieth-century abstraction, and all those seeking to learn more about this aspect of the career of one of Britain’s most important artists of the late twentieth-century.

  • The Station Point

    The Station Point

    R450

    Taken over the past three decades throughout Europe and North America, these photographs are of age-old landscapes; historical treasures of architecture nestled in the countryside and rusting industrial sites reclaimed by nature.

  • Sale! This is Goya

    This is Goya

    Original price was: R220.Current price is: R180.

    Modern art begins with Goya. He was the first to create works of art for their own sake, and he lived in a time of incredible cultural and social dynamism when the old concepts of social hierarchy were being shaken by the new concept of equality for all.

  • Through the Looking Glass

    Through the Looking Glass

    R300

    This book accompanied an exhibition that opened at the National Arts Festival in 2004. It considers work by a range of women artists who have represented themselves and their bodies in their work. The book is accompanied by an education supplement written by Philippa Hobbs. The educational supplement has been designed as a guide for…

  • Vitamin 3-D: New Perspectives In Sculpture and InstallationOut of stock

    Vitamin 3-D: New Perspectives In Sculpture and Installation

    R900

    Vitamin 3-D: New Perspectives in Sculpture and Installation is an up-to-the-minute survey of current global developments in contemporary sculpture and its close relative, installation. This vast medium of sculpture continues to be a central pillar of artistic practice, and Vitamin 3-D presents the outstanding artists who are engaging with and pushing the boundaries of the medium.

  • Who's Afraid of Contemporary Art?

    Who’s Afraid of Contemporary Art?

    R220

    What am I looking at?
    What makes it art?
    And why does it matter?