Showing 65–77 of 77 results

  • William Kentridge – Thick Time

    R1000

    William Kentridge: Thick Time undertakes an overview of the artist’s recent works, focusing on a sequence of five key pieces dating from 2003 to 2015. These encompass three immersive audiovisual installations, including The Refusal of Time, selected works on paper, and ideas for theatre and opera design.

  • William Kentridge – TRACE

    R2500

    This visually compelling publication highlights The Museum of Modern Art’s unparalleled collection of prints and books by William Kentridge – nearly fifty works spanning the past three decades. The book also features a succession of artistic interventions made by Kentridge especially for the occasion. Kentridge’s practice brings together drawing, film animation, books, sculpture and performance.

  • William Kentridge: Five Themes

    R2000

    With a searing body of work ranging from films and drawings to prints, sculptures, and theatrical productions, William Kentridge has offered a fresh and distinctive perspective on the contemporary social landscape, with a particular emphasis on his native South Africa.

  • William Kentridge: Flute (hardcover)

    R250

    In 2005, William Kentridge’s production of The Magic Flute premiered at La Monnaie in Brussels. It went on to venues in France, Italy, Israel and the United States to critical acclaim. In September 2007 it opened in Cape Town and Johannesburg.

  • William Kentridge: Lexicon

    R2500

    Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which William Kentridge has embellished with black ink drawings of what might seem at first to be animal silhouettes.

  • William Kentridge: Nose

    R1500

    David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.

  • William Kentridge: Prints

    R1200

    William Kentridge is well known for his films, drawings, and theatre productions, but he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at the Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series.

     

  • William Kentridge: Right Into Her Arms

    R400

    Accompanying Exhibition Catalogue

  • William Kentridge: The Refusal of Time

    R1750

    The Refusal of Time combines music, readings, dance, chants, videos, drawings and performance and brings Kentridge’s questioning of the notion of time to the stage. Echoing this theatrical performance that is constantly evolving, the book is a mise en abyme: it presents highlights from the show, drawings that were especially produced by the artist for the book, many sketches and study notebooks, all of the texts read during the performance, as well as interviews with Peter Galison and images from the workshop.

  • William Kentridge: Thinking Aloud (English)

    R1000


    Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making.

  • William Kentridge: Thinking Aloud (English) (Signed)

    R2000


    Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making.

  • William Kentridge: Triumphs and Laments (SIGNED)

    R5000

    Triumphs and Laments is not only a celebration of William Kentridge’s (born 1955) monumental frieze drawn along the banks of the Tiber River in Rome and the performance which inaugurated it, but a gorgeously produced guide to one of his most memorable and ambitious projects to date.

  • William Kentridge: Weighing and Wanting

    R750

    William Kentridge’s WEIGHING and WANTING focuses in detail on the artist’s 1998 film of the same name and the drawings he used to make the film. Over 80 film stills punctuate the catalogue, enabling the reader to follow the film sequence. An insightful essay on the drawings and film, and biographic information about the artist…