Showing 33–48 of 68 results
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R200In just a decade, journalist Monica Nicolson Oosterbroek Hilton-Barber Zwolsman married and lost both her beloved husbands – award winning photographers Ken Oosterbroek and Steven Hilton-Barber, as well as her precious 16-month-old son, Benjamin. Most people would have collapsed under the weight of such tragic devastation. But Monica, a survivor of note, now finally tells the story of her rollercoaster ride of a life, in the much anticipated memoir Love. Loss. Life.
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R350Can racism and intimacy co-exist? Can love and friendship form and flourish across South Africa’s imposed colour lines? Who better to engage on the subject of hazardous liaisons than the students with whom Jonathan Jansen served over seven years as Vice Chancellor of the University of the Free State. The context is the University campus…
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R250Part memoir, part guidebook, PERspective takes the reader along Per Ostberg’s uneven path of self-discovery as he lays bare the life of the expat and the challenges that lie ahead. He combines his own candid personal stories from 25 years of expat life in 84 countries with formal research such as Professor Geert Hofstede’s intercultural management perspectives.
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R220The Power of Making is a joint publication between the V&A and the Crafts Council, continuing a long standing collaboration on craft and making. This fascinating book features an introduction by curator and educator, Daniel Charny, alongside contributions from international authors that explore contemporary attitudes towards skill, and the potential that skilled making offer the arts and creative industries. Seemingly disparate objects are brought together in a ‘cabinet of curiosities’ to unite and reinforce creative, cultural, social and educational points of view all offering different ways of understanding the potent power that comes with making. The book also poses incisive questions about the increasing distance people have from making, and the impact that deskilling and the deterioration of making knowledge may have on cultural production and society.
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R250Do you have to endorse prostitution in order to support sex worker rights? Should clients be criminalized, and can the police deliver justice?
In Revolting Prostitutes, sex workers Juno Mac and Molly Smith bring a fresh perspective to questions that have long been contentious. Speaking from a growing global sex worker rights movement, and situating their argument firmly within wider questions of migration, work, feminism, and resistance to white supremacy, they make it clear that anyone committed to working towards justice and freedom should be in support of the sex worker rights movement.
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R80UNISA Series of essays dealing with issues in English Studies in Southern Africa.
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R300This unique text charts the critical social and legal debates and jurisprudential developments that took place during the rape law reform process from a comparative and international context. It also provides important insights into the engagement of civil society with law reform and includes thoughtful and contemporary discussions on the topics. It highlights the significance of rape law reform inclusion or exclusion at various stages in the process and discusses the strategic decisions made by gender activists and the context in which these decisions were made. The book also emphasises potential implementation challenges and considers how these might be addressed in terms of law and policy.
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R1750This collection of 40 essays by Ashraf Jamal can be regarded as a companion to his previous book, In the World: Essays on Contemporary South African Art. Together, they form a single venture to celebrate and entrench the rich complexity of South African artists in a global imaginary.
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R400Justin Fox is an award-winning writer and photographer based in Cape Town. Author of more than a dozen books, he is currently editor of Getaway Magazine. Justin was a Rhodes Scholar and received a doctorate in English from Oxford University, after which he became a research fellow at the University of Cape Town, where he taught part-time for the better part of two decades. His articles and photographs have appeared internationally in a number of publications, while his short stories and poems have appeared in various anthologies. He is a two-time Mondi journalism award winner. Recent books include The Marginal Safari, Whoever Fears the Sea, The Impossible Five and My Great Expedition.
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R280SUNDAY TIMES TOP TEN BESTSELLERWINNER OF THE BRITISH ARMY MILITARY BOOK OF THE YEAR 2016’Truly essential’ Simon Sebag MontefioreThe final destruction of the Ottoman Empire – one of the great epics of the First World War, from bestselling historian Eugene RoganFor some four centuries the Ottoman Empire had been one of the most powerful states in Europe as well as ruler of the Middle East. By 1914 it had been drastically weakened and circled by numerous predators waiting to finish it off. Following the Ottoman decision to join the First World War on the side of the Central Powers the British, French and Russians hatched a plan to finish the Ottomans off: an ambitious and unprecedented invasion of Gallipoli…
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R300When a reclusive printmaker dies, his friend inherits the thousands of etchings and drawings he has stored in his house over the years. Overwhelmed by the task of sorting and exhibiting this work, she seeks the advice of a curator.
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R450We’re living in an extraordinary age: the age of trust. We trust the language of algorithms and the intentions of tech giants. The Trust Manifesto is for anyone how has started to question that trust; who worry where it might end, who fear ‘The Black Mirror Effect’. It is for those who wonder what an alternative internet would look like, built on trust, that works for all of us
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R250From the stolen Wakandan art in Black Panther, to Emmanuel Macron’s recent commitment to art restitution, and Beyoncé and Jay Z’s provocative music video filmed in the Louvre, the question of decolonising our relationship with the art around us is quickly gaining traction. People are waking up to the seedy history of the world’s art collections, and are starting to ask difficult questions about what the future of museums should look like.
In The Whole Picture, art historian and Uncomfortable Art Tour guide Alice Procter provides a manual for deconstructing everything you thought you knew about art, and fills in the blanks with the stories that have been left out of the art history canon for centuries.
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R230This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare’s plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex.
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R420Nazraeli Press is a publisher of books of photography. It was founded in 1989, in Munich, Germany, by Chris Pichler and has been based in the USA since 1996. ‘Twenty Parachutes’ is a unique book showcasing the photographs of late Margaret Bourke-White. Writer and curator, Trudy Wilner Stack, wrote the following in the introduction of ‘Twenty Parachutes’: “Few careers with a camera have been as narrated and celebrated as that of Margaret Bourke-White. With legendary fortitude and energy, Bourke-White time and again nailed the assignments she was given with formal brilliance and incisive descriptive power. In this series of images, we feel a relaxing of her precision as she recorded an emblematic struggle between natural force and human ingenuity, between our limitations and the grand devices we create to defy them.”
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R300Uncertain curature is a volume of bold and original explorations of the archive – the past, our material inheritance – and the ways it is displayed, interpreted and given meaning in the postcolonial world of South Africa. This operation on the past – what the authors have called ‘curature’ – can be seen as the postcolony’s way of rescripting its own history, which is both a trauma to be dealt with and a resource for the future.