Showing 145–160 of 397 results
In The Making of Home, Flanders traces the evolution of the house across northern Europe and America from the 16th to the early 20th century, and paints a striking picture of how the homes we know today differ from homes through history.
A wondrous, exhilarating novel about nine strangers brought together by an unfolding natural catastrophe. The perfect literary escape. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut.
When a reclusive printmaker dies, his friend inherits the thousands of etchings and drawings he has stored in his house over the years. Overwhelmed by the task of sorting and exhibiting this work, she seeks the advice of a curator.
The Sankofa Colouring Journal is the coming together of empowering elements; Colouring-in, Journaling & the wisdom of Proverbs
from various tribes across Africa, incorporating 20 unique Colouring artworks have been lovingly designed by the legendary veteran illustrator Muziwakhe Nhlabatsi (born 1954) from South Africa. These detailed line artworks bring together tribal aesthetics from all over our ‘Colourful continent’. By colouring-in the artworks you get to collaborate with an esteemed African Artist and engage with a broad range of African Cultural Aesthetics.
Elena Ferrante‘s The Story of a New Name is the second chapter in the series, following 2012’s acclaimed My Brilliant Friend, featuring the two friends Lila and Elena. The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each vacillates between hurtful disregard and profound love for the other. With this complicated and meticulously portrayed friendship at the center of their emotional lives, the two girls mature into women, paying the sometimes cruel price that this passage exacts.
In 2006 journalist Joanna Moorhead discovered that her father’s cousin, Prim, who had disappeared many decades earlier, was now a famous artist in Mexico. Although rarely spoken of in her own family (regarded as a black sheep, a wild child; someone they were better off without) in the meantime Leonora Carrington had become a national treasure in Mexico, where she now lived, while her paintings are fetching ever-higher prices at auction today.
It’s not the journey that counts, but who’s at your side. Nana is on a road trip, but he is not sure where he is going. All that matters is that he can sit beside his beloved owner Satoru in the front seat of his silver van.
We’re living in an extraordinary age: the age of trust. We trust the language of algorithms and the intentions of tech giants. The Trust Manifesto is for anyone how has started to question that trust; who worry where it might end, who fear ‘The Black Mirror Effect’. It is for those who wonder what an alternative internet would look like, built on trust, that works for all of us
An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania.
From the stolen Wakandan art in Black Panther, to Emmanuel Macron’s recent commitment to art restitution, and Beyoncé and Jay Z’s provocative music video filmed in the Louvre, the question of decolonising our relationship with the art around us is quickly gaining traction. People are waking up to the seedy history of the world’s art collections, and are starting to ask difficult questions about what the future of museums should look like.
In The Whole Picture, art historian and Uncomfortable Art Tour guide Alice Procter provides a manual for deconstructing everything you thought you knew about art, and fills in the blanks with the stories that have been left out of the art history canon for centuries.
This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare’s plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex.
In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her abusive husband and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which have opened the doors to a world of learned interlocutors and richly furnished salons. Both women have pushed against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.
On a spring evening in Istanbul, Peri is on her way to a dinner party – a night of luxury a far cry from her upbringing. But when her handbag is stolen her world shifts violently. She starts to doubt how she got here: a traumatic Istanbul childhood, student years in Oxford, the rebellious professor who led her and best friends Shirin and Mona to question everything – Islam, love, life, even God – and the scandal that tore them all apart.
Nazraeli Press is a publisher of books of photography. It was founded in 1989, in Munich, Germany, by Chris Pichler and has been based in the USA since 1996. ‘Twenty Parachutes’ is a unique book showcasing the photographs of late Margaret Bourke-White. Writer and curator, Trudy Wilner Stack, wrote the following in the introduction of ‘Twenty Parachutes’: “Few careers with a camera have been as narrated and celebrated as that of Margaret Bourke-White. With legendary fortitude and energy, Bourke-White time and again nailed the assignments she was given with formal brilliance and incisive descriptive power. In this series of images, we feel a relaxing of her precision as she recorded an emblematic struggle between natural force and human ingenuity, between our limitations and the grand devices we create to defy them.”
Uncertain curature is a volume of bold and original explorations of the archive – the past, our material inheritance – and the ways it is displayed, interpreted and given meaning in the postcolonial world of South Africa. This operation on the past – what the authors have called ‘curature’ – can be seen as the postcolony’s way of rescripting its own history, which is both a trauma to be dealt with and a resource for the future.
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