Showing 17–32 of 216 results
Against a background of Hong Kong’s bustling dried goods trade, dusty shelves groaning with traditional products, the beloved cats either stand out as shop mascots or magically melt away behind boxes and jars. Meanwhile, their innermost thoughts, delivered deadpan, are revealed through Ian Row’s intuitive haiku and stories.
Terence Donovan was one of the foremost photographers of his generation – among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography. Alongside David Bailey and Brian Duffy, photographers of a similar working-class background and outlook, Donovan was a new force in fashion photography. Together, they captured and helped create the Swinging 60s. They socialized with celebrities and royalty, and found themselves elevated to stardom in their own right. Gifted with an unerring eye for the iconic image, Donovan was also master of his craft, a technical genius who pushed the limits of what was possible with a camera. And yet despite his fame and status, there has never been a publication devoted to his fashion work, for he allowed none to be released during his lifetime. Terence Donovan Fashion is thus the first time his fashion pictures have been collected together in book form. Arranged chronologically, from the gritty monochromatic 1960s and 1970s to the vibrant and colourful 1980s and 1990s, the book reveals how his constant invention and experimentation not only set him apart from his contemporaries, but also influenced generations to come. Contributions from some of the many designers, models and art directors who worked with him provide fascinating insights into his practice. Compiled by the artist’s widow Diana Donovan and former art director of Nova magazine and Pentagram partner David Hillman, who worked closely with Donovan for over a decade, and including an illuminating text by Robin Muir, ex-picture editor of Vogue, and foreword by Grace Coddington, creative director of American Vogue and advisor to the project, Terence Donovan Fashion is indisputably a landmark in the history of fashion photography.
Beginning around 15 years ago, a loose affiliation of scholars, writers and filmmakers living in Berlin began presenting films that offered a new, aesthetically driven form of political cinema. Abandoning the post-totalitarian context embraced by most commercially popular German films at the time, these films pursued a stylized realism to explore and address a national crisis of identity and purpose.
From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. Now available in an affordable paperback edition, The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle Rexer examines abstraction at pivotal moments, starting with the inception of photography, when many of the pioneers believed the camera might reveal other aspects of reality. The Edge of Vision traces subsequent explorations–from the Photo-Secessionists, who emphasized process and emotional expression over observed reality, to Modernist and Surrealist experiments.
Vividly illustrated, Conflict, Time, Photography zeroes in on war and its aftermath, highlighting the fact that time itself is a fundamental aspect of the photographic medium.
Nazraeli Press is a publisher of books of photography. It was founded in 1989, in Munich, Germany, by Chris Pichler and has been based in the USA since 1996. ‘Twenty Parachutes’ is a unique book showcasing the photographs of late Margaret Bourke-White. Writer and curator, Trudy Wilner Stack, wrote the following in the introduction of ‘Twenty Parachutes’: “Few careers with a camera have been as narrated and celebrated as that of Margaret Bourke-White. With legendary fortitude and energy, Bourke-White time and again nailed the assignments she was given with formal brilliance and incisive descriptive power. In this series of images, we feel a relaxing of her precision as she recorded an emblematic struggle between natural force and human ingenuity, between our limitations and the grand devices we create to defy them.”
Omitting any reference to the purpose or outcome of each wait, Larkin simply records, beside each image, the duration of the wait. J
Out of stockThe World Press Photo Competition 2008 brings together some 200 images. The best pictorial journalism from an eventful year, this selection brings us face to face with contemporary world events—an impressive visual record of social, political, cultural, scientific, and, above all, human milestones. 200 illustrations, 150 in color.
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment.
The profound and lyric photographs of Ralph Eugene Meatyard open us up to at least a double world, a world where all that is invisible, or only felt, or only dreamed, is as true, or as possible, or as necessary, as the ground which holds us down…In this book, these particular images are at least double exposures, and it would be tempting to stop there, in the twofold world of double vision
Soccer in Africa, A Game of Passion celebrates the beautiful game and its significance for the people of Africa. In striking images drawn from 12 African countries, the book tells of the enormous appeal of soccer, both as sporting spectacle and as a timeless social phenomenon crossing political, religious and social boundaries. From Cape Town…
What will the end of the world look like?
‘Abandoned Futures’ is a breathtaking global overview of the decay and abandonment that sits in the midsts of humanities constant push towards an uncertain future. It’s a visual epic dedicated to the edge of our power, where human industry fails and decay takes over. These are the landscapes that give the lie to our dreams of immortality.
Cuban-born Abelardo Morell (b.1948) began photographing his domestic environment after the birth of his son in 1986. Considering the world from a child’s point of view, he photographed household objects from surprising perspectives to produce unfamiliar and disconcerting results that challenge the viewer’s perception of reality.
A BOOK OF BOOKS showcases Abelardo Morell’s extraordinary photographs of unusual books, like an impossibly large dictionary, illustrated tomes whose characters appear to leap off the page, and water-damaged books that take on sculptural form.
In summary, this book has succeeded in positioning itself as a stunningly attractive “coffee table piece” for general interest readers, but also as an important and “un-equalled reference source”, for academics and others requiring more detailed scientific information.
Often portrayed as the father of 20th-century art direction, Alexey Brodovitch and his contributions to Harper’s Bazaar over more than 20 years remain the reference point for several generations of photographers and art directors. With an infallible eye, he promoted photographers such as Blumenfeld, Cartier-Bresson, Avedon and Man Ray. This book is a unique homage to an exceptional talent.
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