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Breathing new life into the nexus of Tate’s collection, David Hockney: Moving Focus speaks to the artist’s refusal to conform during periods of uncertainty and polarization as he traversed the boundaries of class, sexuality, and high art, and how his work still surprises, unsettles, and addresses younger generations of viewers.
Felt is the oldest fabric known to mankind; its earliest examples date back to 6,500 B.C. In recent years, the fabric has found contemporary applications in an extraordinary range of fields, including product design, fashion, architecture and home furnishings. Felt’s first revival in modern times occurred as a part of the fiber-arts movement of the 1970s; the 1990s saw a surge of innovations in its production, triggering the current resurgence of interest in the fabric. A combination of scholarly research into its history, the exploration of its technical applications and sustainability issues have inspired many leading artists and designers to work with felt. Fashioning Felt examines this recent explosion of interest. Published in conjunction with a major exhibition at the Smithsonian’s Cooper-Hewitt, National Design Museum, it presents handmade and commercially produced designs for felt, and explores through essays and full-color illustrations the material’s rich history.
Terence Donovan was one of the foremost photographers of his generation – among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography. Alongside David Bailey and Brian Duffy, photographers of a similar working-class background and outlook, Donovan was a new force in fashion photography. Together, they captured and helped create the Swinging 60s. They socialized with celebrities and royalty, and found themselves elevated to stardom in their own right. Gifted with an unerring eye for the iconic image, Donovan was also master of his craft, a technical genius who pushed the limits of what was possible with a camera. And yet despite his fame and status, there has never been a publication devoted to his fashion work, for he allowed none to be released during his lifetime. Terence Donovan Fashion is thus the first time his fashion pictures have been collected together in book form. Arranged chronologically, from the gritty monochromatic 1960s and 1970s to the vibrant and colourful 1980s and 1990s, the book reveals how his constant invention and experimentation not only set him apart from his contemporaries, but also influenced generations to come. Contributions from some of the many designers, models and art directors who worked with him provide fascinating insights into his practice. Compiled by the artist’s widow Diana Donovan and former art director of Nova magazine and Pentagram partner David Hillman, who worked closely with Donovan for over a decade, and including an illuminating text by Robin Muir, ex-picture editor of Vogue, and foreword by Grace Coddington, creative director of American Vogue and advisor to the project, Terence Donovan Fashion is indisputably a landmark in the history of fashion photography.
Beginning around 15 years ago, a loose affiliation of scholars, writers and filmmakers living in Berlin began presenting films that offered a new, aesthetically driven form of political cinema. Abandoning the post-totalitarian context embraced by most commercially popular German films at the time, these films pursued a stylized realism to explore and address a national crisis of identity and purpose.
A rich, magical new novel in 1974 on the island of Cyprus. Two teenagers, from opposite sides of a divided land, meet at a tavern in the city they both call home. The tavern is the only place that Kostas, who is Greek and Christian, and Defne, who is Turkish and Muslim, can meet, in secret, hidden beneath the blackened beams from which hang garlands of garlic, chilli peppers and wild herbs.
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