Alain Clément: Sculpture
The exhibition, voluntarily minimalist, of the artworks created in 2012-2013 demonstrates the freedom gained by Alain Clément in the realisation of sculpture.
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Artists’ Laboratory 01: Ian McKeever RA
R200The first book in the Artists’ Laboratory series, delves into the work of Ian McKeever through essays and conversations.
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Little People, BIG DREAMS: Georgia O’Keeffe
R300As a child, little Georgia viewed the world differently from other people. She roamed outdoors with her sketch book, while other girls played. As an adult, she painted all day. From New York City to New Mexico, she was influenced by the landscapes of her environment.
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Saloua Raouda: Choucair
Saloua Raouda Choucair’s work has not been exhibited widely outside of Lebanon, and this will be the first time a new audience can see and appreciate a long underexposed and truly progressive artist.
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The Edge of Vision : The Rise of Abstraction in Photography
R450From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. Now available in an affordable paperback edition, The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle Rexer examines abstraction at pivotal moments, starting with the inception of photography, when many of the pioneers believed the camera might reveal other aspects of reality. The Edge of Vision traces subsequent explorations–from the Photo-Secessionists, who emphasized process and emotional expression over observed reality, to Modernist and Surrealist experiments.
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Mondrian and his Studios- Colour in Space
R500Item Weight 1.44
Paperback, 160 pages
Dimensions : 6.12 x 0.75 x 9.25 inches
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Sale!
This is Pollock
Original price was: R220.R180Current price is: R180.In 1956 Time magazine referred to Pollock as “Jack the Dripper”. His iconic paintings stretch out with the generosity and scale of America’s Western landscape where the artist grew up. Pollock said that he painted “out of his conscious”: the cathartic dribbled paint reflected his troubled mind.
