Showing 17–24 of 24 results
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R1000In the World presents a collection of essays by Cape Town cultural analyst and art critic Ashraf Jamal focused on 24 South African artists working in painting, photography, sculpture and performance. Aimed at a wide, international audience, the texts reconfigure the national narrative of South African art within a broader African and global context. From identity politics to the boom of “African art” in a global contemporary art market, Jamal explores a variety of issues at the heart of South African art practice.
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R100David Krut Publishing is pleased to announce the release of
Deborah Bell: Invocations to the Plate Notes from the Print Workshop 2014 – 2017,
a publication dedicated to the collaborations between Deborah Bell and David Krut Workshop.
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R250A catalogue of all works displayed at the Johannesburg Biennale of 1995. Please also be aware that the binding of the book is quite old and fragile.
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R250l’Afrique: A Tribute to Maria Stein-Lessing and Leopold Spiegel celebrates the lives and work of two extraordinary personalities, Maria Stein-Lessing and Leopold Spiegel, who produced an important legacy in the field of African and South African art and artifacts.
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R580In September 1997 MTN, one of the leading cell phone companies in South Africa, made a modest purchase of artworks by South African artists. This marked the beginning of what was to become a major corporate collection of South African art, comprising some 1400 African and South African works. It has been energetically researched, traveled, exhibited, discussed, debated and admired. With this new book, the MTN Art Collection has come of age.
Messages and Meaning aims to be an informative, diverse, and sumptuous read for years to come. The book was launched simultaneously to the first national touring exhibition of the MTN Art Collection in 2012.
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R30Hot off the press new release zine, created for the exhibition Movement and its limitation within an environment by artist Quinten Edward Williams. To view the exhibition, click here.
Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs through an interface between painting, sculpting and printing.
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R400Owusu-Ankomah’s charged paintings on canvas depict an alternate world wherein monumental human figures – his core motif – are shown moving within an ocean of signs that surround, support and, in fact, define them. The way in which these figures coexist and interact with various symbolic sets has developed through distinct phases over time, reflecting Owusu-Ankomah’s own journey of spiritual discovery.
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R750A catalogue of all works displayed at the Johannesburg Biennale of 1997.
