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Modern and Contemporary African art is at the forefront of the current curatorial and collector movement in today’s art scene. This groundbreaking new book, created in collaboration with a prestigious global advisory board, represents the most substantial appraisal of contemporary artists born or based in Africa available
Featuring 19 design companies & their work including: Hust Wilson, Thandiwe Muriu, Elio Moavero, Thabiso Ntuli, Vukile Batyi, Pearly Yon, Mam’Gobozi Design Factory, Daniel Ting Chong, The Ninevites, Mrs + Mr Luke, Blood, Sweat + Polony, R!OT – Sindiso Nyoni, Bold Branding, Studio Onss Mhirsi, Ahmad Hammoud, VM DSGN, David Alabo and MUTI.
Surveying work made from 2017 up to Zvavahera’s contribution to the Venice Biennale in 2022, this book features a new essay by curator Meredith Brown and an interview with the artist by writer Allie Biswas, alongside gorgeous reproductions of 24 paintings, including up-close details and installation views.
Groundbreaking upon its release in 1987, Till Death Us Do Part is a 20-screen video-wall installation made by British/Ethiopian artist Theo Eshetu.
This landmark publication accompanies an international touring exhibition devoted to Black figuration in painting from the 1920s to now, featuring artists from Africa and the African diaspora.
Critical Interventions is a peer-reviewed journal of advanced research and writing on African art history and visual culture. Our mission is to provide a forum for cutting-edge scholarship in African art history and for sustained analysis of issues of urgent concern for the discipline that foregrounds both the history of Africa’s modernity and the historiography of African Art History.
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