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Art and Photography

Showing all 7 results

  • In the Beginning: Anselm Kiefer & Photography

    In the Beginning: Anselm Kiefer & Photography

    R875

    This book presents over 130 works charting the artist’s relationship with photography, and his investigations into what images reveal.

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  • Banksy Wall and PieceOut of stock

    Banksy Wall and Piece

    R340

    Banksy’s identity remains unknown, but his work is unmistakable—with prints selling for as much as $45,000.

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  • Gordon Parks:I am you

    Gordon Parks:I am you

    R800

    Injustice, violence, the Civil Rights Movement, fashion and the arts–Gordon Parks captured half a century of the vast changes to the American cultural landscape in his multifaceted career. I Am You: Selected Works 1934–1978 reveals the breadth of his work as the first African American photographer for Vogue and Life magazines as well as a filmmaker and writer.

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  • Gustav Klimt - The Complete PaintingsOut of stock

    Gustav Klimt – The Complete Paintings

    R1500

    A century after his death, Viennese artist Gustav Klimt (1862–1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. This monograph gathers all of Klimt’s major works alongside authoritative art historical commentary and privileged access to the artist’s archive.

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  • Gustav Klimt. Drawings and PaintingsOut of stock

    Gustav Klimt. Drawings and Paintings

    R360

    In this neat, dependable monograph, we gather all of Klimt’s major works alongside authoritative art historical commentary and privileged archival material from Klimt’s own archive to trace the evolution of his astonishing oeuvre.

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  • Portraits of African WritersOut of stock

    Portraits of African Writers

    R300

    This is a stunning collection of more than 100 portraits, in black and white, of writers and, in particular, South Africa.

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  • Why Photography Matters As Never Before - Michael FriedOut of stock

    Why Photography Matters As Never Before – Michael Fried

    R495

    From the late 1970s onward, serious art photography began to be made at large scale and for the wall. Michael Fried argues that this immediately compelled photographers to grapple with issues centering on the relationship between the photograph and the viewer standing before it that until then had been the province only of painting.

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