Showing 1–16 of 88 results
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R590Informed and energized by a lifetime of painting, drawing and making images with cameras, David Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters?
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R500This fresh TASCHEN edition considers Art Nouveau as a broad historical phenomenon with distinct local features.
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R575A vivid account of Bohemian Paris at the birth of Cubism and other movements, with Modigliani as hero among other artists and writers now legends.
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R660“Anyone who directly and genuinely renders what drives him to create is one of us,” proclaimed the manifesto of Die Brücke (The Bridge), a close-knit group of artists who first met in Dresden in 1905. Its founding members were four Jugendstil architecture students: Fritz Bleyl, Erich Heckel, Karl Schmidt-Rottluff and Ernst Ludwig Kirchner. Eschewing the contemporary academic styles and subjects, these four artists instead looked to their German art heritage to make…
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Contemporary Art: World Currents argues that, in recent decades, a worldwide shift from modern to contemporary art has occurred. Artists everywhere have embraced the contemporary world’s teeming multiplicity, its proliferating differences and its challenging complexities. This book shows how contemporary art achieved definitive force in the markets and museums of the major art centres during the 1980s.
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R480This is a catalogue of Flemish paintings housed in South African public collections. It offers a unique and interesting account of the many important paintings overlooked in international scholarship through lack of exposure
Prof Bernadette Van Haute is Professor in Art History at the University of South Africa in the Department of Art and Music.
She studied Ethnic Art in Belgium and wrote her Master’s dissertation on selected art of Central Africa. After moving to South Africa in 1983, she redirected her research interest to Flemish Art of the 17th century. Her Doctoral thesis focused on a monograph and catalogue raisonné of the Flemish artist David III Ryckaert (2000, Turnhout: Brepols).
Because of the early Dutch presence in South Africa, she researched 17th century Flemish paintings in public collections in South Africa. This study project culminated in the richly illustrated book of Flemish Paintings (2006, Pretoria: Unisa Press).
Prof Van Haute joined Unisa in 1983 in the then Department of History of Art and Fine Arts. She was Chief Editor of the accredited journal de arte from 1996 to 2017.
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R1000It is said of Georg Baselitz that, in his upside-down pictures, he expresses the misery of the human creature. In South Africa we are very aware of the misery in which the human creature was dumped, but we are also very aware of the triumph of good over evil, gained against all odds and in all adversity as we endeavor to salve and heal wounds of the past.
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R1350Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume
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R750This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.
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R250The scenes are marked by vivid color juxtapositions and stark, theatrical lighting, as well as by harshly contoured figures, who appear at once part of, and alien to, their surroundings. The ambiance throughout his repertoire is of an eerie disquiet, alienation, loneliness and psychological tension, although his rural or coastal scenes can offer a counterpoint of tranquility or optimism. This book presents key works from Hopper’s oeuvre to introduce a key player not only in American art history but also in the American psyche.
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R760This fresh and engaging, illustrated history of art explains the fundamentals every art lover needs while presenting the development of different schools and styles as one continuous, astonishing timeline— from Giotto to Leonardo, Frida to Banksy.
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R900Leonora Carrington: Surrealism, Alchemy and Art provides a fascinating overview of this intriguing artist’s rich body of work. The author considers Carrington’s preoccupation with alchemy and the occult, and explores the influence of indigenous Mexican culture and beliefs on her production.
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R310In an engaging personal narrative interwoven with historical research, Martin Kemp discusses a life spent immersed in the world of Leonardo, and his encounters with great and lesser academics, collectors and curators, devious dealers and unctuous auctioneers, major scholars and authors, pseudo-historians and fantasists. He shares how he has grappled with swelling legions of ‘Leonardo loonies’, walked on the eggshells of vested interests in academia and museums, and fended off fusillades of non-Leonardos, sometimes more than one a week. Examining the greatest masterpieces, from the Last Supper to Salvator Mundi, through the expert’s eye, we learn first-hand of the thorny questions that surround attribution, the scientific analyses that support the experts’ interpretations, and the continuing importance of connoisseurship.
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R570Man Ray (1890-1976), a pioneer of the Dada movement and a central protagonist of surrealism, is best known for his innovative photographs, but his writings are also remarkable expressions of his identity as an artist. The first extensive collection of Man Ray’s texts about art in English, Man Ray: Writings on Art illuminates the diverse ways in which the artist used words to express his aesthetic, philosophical and political ideas. Richly illustrated and drawing on a broad range of materials, including artists’ books, essays, interviews, letters and visual poems, this collection presents the artist’s most significant writings about art, many of them never previously published. Offering a long overdue vision of Man Ray as someone who used words both as a creative medium and as a means of articulating ideas about the nature and value of art, it provides a powerful insight for students and scholars of modern art, as well as for artists, photographers and all those who count themselves as Man Ray fans.
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R950Foreword by David Bowie. Norman Catherine is considered to be at the forefront of South African contemporary art with his rough-edged comical and nightmarish forms rendered in brash cartoon colours; his idiosyncratic visions and his dark cynicism and exuberant humour.
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R250Painting Then For Now is a collaboration between an art historian, a painter and a photographer who are rediscovering the modernism in Giambattista Tiepolo’s work.