Showing 33–48 of 109 results
An important new study of drawings by one of the most important French artists of the twentieth century
Jean Dubuffet (1901–1985) achieved international recognition in the late 1940s for his paintings inspired by children’s drawings, the art of psychiatric patients, and graffiti.
First published to great acclaim in 1996, New Yorker writer and art critic Calvin Tomkins’ biography of the influential artist Marcel Duchamp (1887–1968) has been out of print for many years.
Long before the first theories of psychoanalysis were formulated, Edvard Munch (1863-1944) became the pioneer of an art which discovered and depicted the inner conflicts of modern man.
Sculptor, painter, author of spatial forms, artistic installations, and happenings, Edward Krasinski (1925–2004) was one of the most important protagonists of the Polish neo avant-garde in the 1960s and ’70s. This richly illustrated book investigates the development of Krasinski’s unique formal language, showcasing works spanning more than 50 years of his remarkable career.
Ellen Altfest is well known as an artist for her painstakingly labor-intensive canvases that look at things in the world.
“This elegant volume documenting the work of Erwin Hauer demonstrates the rich results that can emerge from disciplined experimentation with geometry. Following a geometric recipe of his own divining, Hauer was able to discover extraordinarily complex patterns that possess a large measure of depth and beauty.” – Architecture
Frank Spears – the painter is a visual biography which traces his life from his humble beginnings in Birmingham to his professional life in Cape Town where he met his wife of almost 60 years, the poet, Dorothea Spears.
Gabriel Orozco was born in Veracruz in Mexico in 1962. Since the early 1990s, his career has been characterised by constant surprise and innovation. He roams freely and fluently between drawing, photography, sculpture, installation and painting, creating a body of work that resists categorisation. Ranging from subtle interventions in the landscape to meticulously executed sculptures…
Exhibition Catalogue accompanying the exhibition, Ankara Portraits by American artist Gary Stephens is a compilation of works over a period of four years, which portrays a theme that could be described as an open African style featuring recent paintings completed on Ankara fabrics.
Nancy Ireson is the Schroder Foundation Curator of Painting at the Courtauld Gallery, and specialises in French art of the late nineteenth and early twentieth centuries.
Out of stock
George Lois is advertising s most famous art director. He founded the creative revolution that spawned modern advertising, as his iconoclastic talent created icons dramatizing the problems, solutions, foibles, and promises of American life.
In this study, Martin Myrone presents a less familiar account of the artist. From his earliest anatomical studies through to his depictions of exotic animals and experiments with the industrialist Josiah Wedgwood, Stubbs is shown to have been dynamically engaged with the science, technology and popular culture of his day. He emerges from this new account as an artist more experimental and challenging than is conventionally thought.
Gilbert and George are the pre-eminent artists of their generation. Exhibited worldwide since the early 1970s, their art has attracted both enormous acclaim and fierce controversy. At last, on the eve of a massive retrospective that will tour six venues across the globe, a book is published that does justice to the scale, depth and ambition of their artitic achievement.
Hanne Darboven’s Kulturgeschichte 1880-1983 (Cultural History 1880-1983)Â is an overwhelming and encyclopedic installation consisting of 1,590 works on paper and 19 sculptural objects. The work weaves together cultural, social, and historical references with autobiographical documents, postcards, pinups of film and rock stars, documentary references to the first and second world wars, geometric diagrams for textile weaving, a sampling of New York doorways, illustrated covers from news magazines, the contents of an exhibition catalogue devoted to postwar European and American art, a kitschy literary calendar, and extracts from some of Darboven’s earlier works.
Concentrating on Henry Moore’s early and mid-career, this thorough and perceptive reassessment reinstates the sculptor as a key figure in international modernism. The scale of Henry Moore’s success in later life has tended to obscure the radical nature of his achievement.
No products in the basket.