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For the first time, Penny Siopis’ Shame paintings, produced between 2002 and 2005, are brought together in monographic form as a companion to her new series of Notes, collectively titled Grief. These small mixed media paintings (including mirror paint, oil, enamel, glue, watercolour, paper varnish and found objects) are ‘intimate imaginings of childhood sexuality and dread’.
Ranging from resistance to education, contemporary artists are increasingly raising opposition to economic pressure, radical social change and rapidly changing identities. How does the local contemporary art scene respond to the worldwide dynamics of globalisation? Which social, political and cultural positions do individual artists adopt? This volume presents views of some of South Africa’s most…
During a career that has brought her controversy and acclaim in equal measure, Sarah Lucas has made art from the discarded and unexpected, incorporating such diverse materials as cigarettes, food, second-hand furniture and
With over 200 colour illustrations displaying a huge range of sculptural work, Sculpture Now is an essential account of one of the most exciting and experimental forms in contemporary art
Splat! is the history of art at its most exciting and outrageous. Organized by artist and covering both key events and major movements such as the Renaissance and Impressionism to Surrealism and contemporary art, it is a valuable resource for young people curious about art.
A central figure in pop art, Andy Warhol (1928-1987) was one of the most significant and influential artists of the later twentieth century. In the 1960s he began to explore the growing interplay between mass culture and the visual arts, and his constant experimentation with new processes for the dissemination of art played a pivotal role in redefining access to culture and art as we know it today.
Bring modern art to life for young readers with this art activity book based on 10 major modern and contemporary artworks.
Suitable for ages 6+
The World According to Roger Ballen, coauthored with Colin Rhodes, looks at Ballen’s career in the wider cultural context beyond photography, including his connections with and interest in art brut. It features photographs selected from across Ballen’s career, along with installations created exclusively for an exhibition at the Halle Saint Pierre, Paris, and examples of objects and works from Ballen’s own collection of art brut.
Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image.
This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.
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