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In 2019 Fadzai Muchemwa, a curator from Zimbabwe, completed a three-month residency at the Bag Factory in Johannesburg. This collection of essays on the role of art and arts organisations grew out of her experience of living and working in Johannesburg.
Beginning around 15 years ago, a loose affiliation of scholars, writers and filmmakers living in Berlin began presenting films that offered a new, aesthetically driven form of political cinema. Abandoning the post-totalitarian context embraced by most commercially popular German films at the time, these films pursued a stylized realism to explore and address a national crisis of identity and purpose.
This invaluable resource demystifies the complex, rapidly changing, and sometimes confusing world of digital print technologies. It describes the major digital printing processes used by photographers and artists over the past forty years, explaining and illustrating materials and their deterioration, methods of identification, and options for acquiring and preserving digital prints. A removable chart provides a ready reference for identifying specific materials.
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