Dora Maurer

Maurer trained in graphic techniques, and in her graphic works, she often examines the movement of markings left by different materials and production processes. Her works, be they photographs, graphic work or films, share a preoccupation with structure, relativity of perception and exploration of the medium’s limits. Essays to include an introductory overview by Tate curator Juliet Bingham; Klara Kemp-Welch will examine Maurer’s early works and pedagogical activities between 1975-7; Carly Whitefield will write on the artist’s film works and the state-run Balazs Bela Studio; and David Feher will survey the artist’s practice from the 1980s to the present day.