Showing 17–32 of 36 results
An important new study of drawings by one of the most important French artists of the twentieth century
Jean Dubuffet (1901–1985) achieved international recognition in the late 1940s for his paintings inspired by children’s drawings, the art of psychiatric patients, and graffiti.
The American Artist Ed Ruscha (b. 1937) has worked in a variety of media including painting, printmaking, drawing, photography, books and film, to produce art that is at once playful and profound. Based in Los Angeles since the late 1950s, he was influential in the development of Pop Art on the west coast, particularly through…
Out of stockRene Gruau has been representing fashion since the 1940s. This talented illustrator with a worldwide reputation is probably the person most responsible for making fashion known in the second half of the 20th century, by understanding it better than anyone. This book, made in collaboration with the artist, contains some of the finest drawings that highlighted his career. It is a fashion show in its own right, signed with the famous signature of Gruau.
Renowned for his straightforward approach to making art and his deft economy of means, Martin Creed has produced sculptures, installations, drawings, films, performances, music, and text, each of which has found its inspiration in the objects and activities of everyday life. This extensive volume documents some 800 works produced over twenty years and selected by the artist himself.
A rare and beautiful book by a great artist, long unavailable, this new edition includes a new introduction and previously unpublished material by Albers.
“Boarding House” shows an imaginary space of transient residence, of coming and goings, of people without homes, sheltering in an abode that they are using for their immediate survival. The structure is basic and fundamental and it is furnished with objects that are necessarily for an elementary existence. Remnants function here as physical symbols of events that have occurred in this space; broken pieces of a functional reality exist as the leftovers of scenarios that were played out here.
Already a sensation in the United Kingdom and winner of the prestigious 2008 Design & Art Direction award for outstanding achievement in illustration and book design, Sara Fanelli’s Sometimes I Think, Sometimes I Am is an extraordinary new creation, a book unlike any other.
The 13th book in the TAXI Art Book series of monographs, this title looks at the work of Diane Victor, with essays by Elizabeth Rankin and Karen von Veh.
Paul Stopforth is known in South Africa for work that comments on the harshness and injustices of life under apartheid. His art – comprising sculpture, drawing, painting, and printmaking – is not, however, narrowly political but instead occupies a space ‘between the material and the spiritual, imaging finitude and mortality’.
Out of stockDrawing has always been a fundamental skill and good drawing skills allowed artists to grasp the reality around them. At the turn of the millennium, however, the general impression was that with the wide availability of computers, scanners, digital cameras and image software, drawing would dwindle into a marginal activity.
Kentridge made roughly one hundred drawings for the book, using collage on text pages torn from books he has cannibalized for years, such as Mrs Beaton’s Book of Household Remedies, and the French Larousse Encyclopaedia, favouring ink and brush drawing with crayon on the text pages.
“It’s not a mistake to see a shape in the cloud. That’s what it is to be alive with your eyes open; to be constantly, promiscuously, putting things together”. – William Kentridge.
“It’s not a mistake to see a shape in the cloud. That’s what it is to be alive with your eyes open; to be constantly, promiscuously, putting things together”. – William Kentridge.
100 Notes, 100 Thoughts: Documenta Series 009
Our grasp of time continues to change, in wrenching ways. This is an exploration of these shifts and struggles, across drawing and text, music and movement, film and concepts.
Carnets D’Egypte is William Kentridge’s multimedia excavation of one of his favorite subjects: ancient Egypt. “Egypt has to be both believed and disbelieved at the same time,” he proposes, explaining his attraction to its intermingling of myth and history in the era of the pharaohs; here, he approaches this intermingling, and attendant questions of oriental-ism,…
With a searing body of work ranging from films and drawings to prints, sculptures, and theatrical productions, William Kentridge has offered a fresh and distinctive perspective on the contemporary social landscape, with a particular emphasis on his native South Africa.
No products in the basket.