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Film

Showing 17–21 of 21 results

  • William Kentridge - Tate Modern Artist Series

    William Kentridge – Tate Modern Artist Series

    R700

    “It’s not a mistake to see a shape in the cloud. That’s what it is to be alive with your eyes open; to be constantly, promiscuously, putting things together”. – William Kentridge.

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  • William Kentridge - Tate Modern Artist Series (Signed)

    William Kentridge – Tate Modern Artist Series (Signed)

    R1000

    “It’s not a mistake to see a shape in the cloud. That’s what it is to be alive with your eyes open; to be constantly, promiscuously, putting things together”. – William Kentridge.

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  • William Kentridge and Peter L. Galison - The Refusal of Time

    William Kentridge and Peter L. Galison – The Refusal of Time

    R250

    100 Notes, 100 Thoughts: Documenta Series 009

    Our grasp of time continues to change, in wrenching ways. This is an exploration of these shifts and struggles, across drawing and text, music and movement, film and concepts.

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  • William Kentridge: Phaidon Contemporary Artist Series

    William Kentridge: Phaidon Contemporary Artist Series

    R2500

    This is the first book to document the work of this extraordinary artist, who exploded on the international art scene in 1997 after working for some 20 years little known outside of his native South Africa. The images in Kentridge’s films depict political realities, expressed in terms of individual human suffering.

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  • William Kentridge: The Refusal of Time

    William Kentridge: The Refusal of Time

    R1750

    The Refusal of Time combines music, readings, dance, chants, videos, drawings and performance and brings Kentridge’s questioning of the notion of time to the stage. Echoing this theatrical performance that is constantly evolving, the book is a mise en abyme: it presents highlights from the show, drawings that were especially produced by the artist for the book, many sketches and study notebooks, all of the texts read during the performance, as well as interviews with Peter Galison and images from the workshop.

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