Paris – New York – Shanghai : A book about the past, present, and (possibly) future capital of the world
World Dutch conceptual artist Hans Eijkelboom’s work is very much in line with the deadpan, seemingly mechanistic note-taking of Ed Ruscha and Hans-Peter Feldman. In Paris*New York*Shanghai, Eijkelboom creates a clever and witty comparative study of three major contemporary metropolises, each selected for having been (or promising to be) the cultural capital of its time-Paris during the nineteenth century; New York, the twentieth; and Shanghai, the twenty-first.