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Informed and energized by a lifetime of painting, drawing and making images with cameras, David Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters?
Accompanies a major exhibition in the Ashmolean Museum on the early work of acclaimed German artist Anselm Kiefer. It focuses on his paintings, drawings, photographs and artist books created between 1969 and 1982, in the private collections of the Hall Art Foundation.
The present collection contains 83 of Mrs. Kollwitz’s finest works, including the last great print cycles: “The Weavers” of 1898; “The Peasant War” of 1908; “War” of 1925; and “Death” of 1935.
The book contains a comprehensive gallery of over 300 of Titian’s major works of art, each of which is accompanied by a thorough analysis of the artwork and its significance within the context of Titian’s life, his rapidly changing technique and his body of work as a whole.
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