The Vikings: Lords of the Sea
R120In their lifetime these lords of the seas terrified the world, causing 8th-century Europe to pray for deliverance.
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In their lifetime these lords of the seas terrified the world, causing 8th-century Europe to pray for deliverance.
Through the Darkness: A Life In Zimbabwe is a book long anticipated. Judith Todd’s chronicle of Mugabe’s crimes against his people appals, yet the life of the subtitle has been a high-spirited crusade for justice, democracy and freedom of the press.
Firmly attached to the progressive values of her parents Grace and Garfield Todd erstwhile prime minister of colonial Southern Rhodesia benevolent paternalists engaged in ranching, healing, teaching and politicking in south-west Zimbabwe since 1934, their daughter has proven to be cut from the same cloth.
She was exiled in 1972 by the late Ian Smith, Zimbabwe’s last white prime minister, and stripped of her citizenship by the Mugabe government in 2003. Todd now holds New Zealand citizenship and lives in Cape Town, South Africa.
When Todd returned to Zimbabwe from exile in Britain shortly before independence in 1980, and soon realised that, far from being the solution to Zimbabwe’s ills, Robert Mugabe and his ruling Zanu (PF) party were increasingly becoming the problem. She says when asked what she thinks went wrong in the country that “it’s almost as if Mugabe is angry he is mortal and wants everyone else to die before he does.”
As the country slid into economic and social decline, Todd had a front-row view from her position as director of a local development agency. Over the first 25 years of Mugabe’s rule, she kept journals, notes and copies of letters and documents from which she has compiled an intensely personal account of life in Zimbabwe. These make up Through the Darkness: A Life in Zimbabwe.
Todd’s narrative allows her to record slowly, becoming aware of how ruthlessly the party will enforce its authority and how totally it will contain and then eliminate everything that it regards as dissidence. Only by using the narrative method that she has used is Todd able to convey not only her slow disillusionment but to speak with authority about what is happening. Her authority derives from her presence, from the fact that she records nothing that she has not directly experienced.
AOM
In 2001 South Africa was devastated by the news of a brutal rape of a nine-month-old child who came to be known as baby Tshepang. The media reported that she has been gang raped by a group of six men. Later it was discovered that the men had been wrongfully accused and that the infant had instead been raped and sodomized by her mother’s boyfriend. Once the story of baby Tshepang hit the headlines, the scab was torn off a festering wound, and hundreds of similar stories followed.
In Unsettled, South African photographer Cedric Nunn (best known for his photographs of apartheid resistance) turns his lens to the landscape of the Eastern Cape, site of the longest and most complex anti-colonial confrontation in South Africa’s history: The 100 Year War of Resistance.
Dutch artist Theo van Doesburg (1883 – 1931) is perhaps best known as a prime mover in De Stijl, the Dutch artistic movement that demanded an extreme simplicity and abstraction in both architecture and painting. Here, for the first time, the true extent of his influence is explored, demonstrating that it reached far beyond Holland, throughout Europe, into Russia and beyond.
Today it is common knowledge that the dinosaurs were wiped out by a meteorite impact 65 million years ago that killed half of all species then living. It is far less widely understood that a much greater catastrophe took place at the end of the Permian period 251 million years ago: at least ninety percent of life on earth was destroyed.
In December 1894, Captain Alfred Dreyfus, a brilliant French artillery officer and a Jew of Alsatian descent, was court-martialed for selling secrets to the German military attaché in Paris based on perjured testimony and trumped-up evidence.
David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.
Azaria Mbatha is one of South Africa’s most important contemporary artists in the last century. This autobiography is rooted in the traditional Zulu heritage of his childhood and the tenets of Christianity imparted by his father. Mbatha weaves his own history into the history of his family, into the history of South Africa and into the history of his time, as he experienced it.
An inspiring illustrated history of a century of great women and their impact on the world. Many of the world’s greatest pioneers, record-breakers, and achievers over the last century were women.
Known primarily for his demanding performances of the 1990s, Zhang Huan (born 1965) has more recently made paintings using incense ash gathered from ceremonies performed at Buddhist temples in Shanghai. This volume presents a series of ash paintings that refer to recent Chinese history. Entitled ‘The Mountain is Still a Mountain’, a reference to the teachings of a Chan Buddhist master from the Tang Dynasty period, this exhibition presented a series of large-scale figurative ash paintings that touch on diverse cultural, political and spiritual themes.
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