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John Everett Millais (1829-1896) was a founding member of the Pre-Raphaelite Brotherhood and the quintessential English gentleman artist. Author Christine Riding analyzes his artistic career, his critics, and his audience, exploring the broader issues that preoccupied his contemporaries on the subject of art itself.
Combining rebellion and revivalism, scientific precision and imaginative grandeur, the Pre-Raphaelite Brotherhood shook the mid-nineteenth-century art world and were effectively Britain’s first modern art movement. Today the works of the Pre-Raphaelites are among the best known of all English paintings, and yet they have sometimes been dismissed as Victoriana or mere escapism. This book corrects that view.
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