Artist’s Lives
Original price was: R825.R410Current price is: R410.Engaging encounters, personal anecdotes, and jargon-free critical insights into some of the liveliest creative minds in modern art, by an international art-world insider.
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Engaging encounters, personal anecdotes, and jargon-free critical insights into some of the liveliest creative minds in modern art, by an international art-world insider.

Lucian Freud was one of the most significant artists of the twentieth and early twenty-first centuries, and Phaidon is honored to publish the most complete retrospective of his career to date. This sumptuous, definitive set is the result of an extraordinary collaboration between David Dawson – Director of the Lucian Freud Archive and for two…

Cleaning the studio made me feel special, downtrodden and loved for all the wrong reasons. The floor was marked with a brush and thinned paint to establish the position of any furniture that was in use, the painted hieroglyphics of no particular colour but indelible so that everything could be repositioned and put back between sittings, all the functional lines alive and purposeful like his handwriting.

Art historian and curator Elizabeth Jacklin’s The Art of Print: From Hogarth to Hockney is a concise and beautifully illustrated introduction to printmaking that uses highlights from Tate’s extensive print collection.

A bold new critique of the accepted history of figurative painting in the twentieth century.
In The World New Made, critic Timothy Hyman argues that abstraction was just one of the means by which artists renewed pictorial language. Focusing on those painters who bucked tradition and opted for a new kind of figuration, Hyman presents them as a countermovement to the sometimes oppressive stylistic imperative that set in as Cubism became a movement. Around the world, artists such as Max Beckmann, Fernand Léger, Balthus, Paula Rego, Marc Chagall, Stanley Spencer, R. B. Kitaj, Philip Guston, Picasso, Matisse, Lucian Freud, and others found an idiom for human-centered painting. Together they offer a counterargument to Western formalism, but also a foundation for the figurative painters of the twenty-first century.

Now for the first time as a compact paperback, this book is illustrated with works by Lucian Freud, telling photographs of Freud in his studio, and images by great artists of the past, such as Vincent van Gogh and Titian, who are discussed by Freud and Gayford.
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