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Spanning her 48-year career, this book details Caland’s exploratory practice which has had a key, if under-recognised, role in the development of international modern art. In the 1970s, after moving to Paris from Beirut, she created exuberant and erotically-charged paintings, which challenged traditional conventions of beauty and desire. The female physique is a recurrent motif in her work, depicted as landscapes or amorphous forms.
Out of stockJ. M. W. Turner (1775–1851) is probably Britain’s greatest painter. Both profoundly original and astonishingly prolific, he helped transform landscape painting into an expressive art form of enormous range and power. This book reveals the extent to which Turner wanted his paintings to communicate intellectually as well as emotionally and how he used landscape as a vehicle for deep ruminations on society, politics, and the human condition. Sam Smiles discusses and illustrates the whole range of Turner’s work.
In his painting, Leonardo steered art out of the Middle Ages with works such as The Last Supper and the world-famous La Gioconda or Mona Lisa depicting not only physical appearances, but a compelling psychological intrigue and depth which continues to draw crowds of mesmerized visitors to masterpieces in Paris, Milan, Washington, London, and Rome. This book brings together some of Leonardo’s most outstanding work to introduce a figure of infinite curiosity, feverish imagination, and sublime artistic ability, often described as having “not enough worlds for to conquer, and not enough lives for to live” (Alan Woods).
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After flirtations with Realism, Impressionism, and Symbolism, Kiev-born Kazimir Malevich (1878–1935) found his métier in dissolving literal, representational figures and landscapes into pure emotionally-charged abstraction. In 1915, he created what is widely lauded as the first and ultimate abstract artwork: Black Square, a black rectangle on a white background, hailed as the “zero point of painting,” a seminal moment for modern and abstract practice.
An exceptional monograph-catalogue revealing the innovative drive in Gauguin’s work. This catalogue offers a unique opportunity to view Gauguin’s entire artistic development from his early impressionist works to his final masterpieces painted on the Marquesas Islands where the artist went in search of an Arcadian kingdom “of ecstasy, peace and art, far from the typical European struggle for money”.
One of the leading lights of the Impressionist movement, Pierre-Auguste Renoir (1841–1919) remains a towering figure in art history with enduring public appeal. Sun-kissed, charming, and sensual, his work shows painting at its most lighthearted and luminous, while championing the plein air and color innovations of his time.
Today, the works of Vincent van Gogh (1853–1890) are among the most well known and celebrated in the world. In Sunflowers, The Starry Night, Self-Portrait with Bandaged Ear, and many paintings and drawings beyond, we recognize an artist uniquely dexterous in the portrayal of mood and place through paint, pencil, charcoal, or chalk.
Meet Diego Rodríguez de Silva y Velázquez, the leading light of the Spanish Golden Age and a giant of Western art history. From humble genre scenes to the ever-mysterious Las Meninas, this introductory book charts the compositional expertise, natural figuration, and masterful handling of tone that secured Velázquez’s place as “the greatest painter of all.” For more information click here
James Abbott McNeill Whistler (1834-1903) was one of the most original artists of the late nineteenth century. Flamboyant dandy and ebullient publicist, friend of Oscar Wilde, Whistler was also a meticulous craftsman dedicated to the perfection of his art. Whistler was born in America but trained in Paris.
More than 150 years after his death, William Blake (1757–1827) remains a cryptic and controversial figure. Equally gifted as a poet and a painter, he produced work that is as arresting for its beauty as for its strangeness. With this fresh examination of Blake’s unfolding career, William Vaughan presents an artist with a radical and utterly individual vision, who was deeply concerned with the social, religious, and political issues of his age.
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