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R400This catalogue of outstanding paintings, sculptures, drawings and prints from Edward R. Broida’s recent gift of 175 contemporary works from his collection to The Museum of Modern Art reflects a wide range of artistic approaches. Most pieces were created after 1960; several artists, such as Vija Celmins, Philip Guston, Ken Price and Christopher Wilmarth, are represented in depth. The Broida collection also includes works by Richard Artschwager, Jake Berthot, Martin Puryear, Susan Rothenberg, Joel Shapiro, Mark di Suvero and John Walker, among others, and significant works by Jennifer Bartlett, Bruce Nauman and Richard Serra that provided important additions to the Museum’s holdings. This book includes an introduction to the collection by John Elderfield, the Marie-Josee and Henry Kravis Chief Curator of Painting and Sculpture, and an interview with Broida conducted by Ann Temkin, Curator of Painting and Sculpture. The plate section reproduces at least one work by each of the 38 artists included in the gift, and in many cases numerous works by one artist.
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R480This is a catalogue of Flemish paintings housed in South African public collections. It offers a unique and interesting account of the many important paintings overlooked in international scholarship through lack of exposure
Prof Bernadette Van Haute is Professor in Art History at the University of South Africa in the Department of Art and Music.
She studied Ethnic Art in Belgium and wrote her Master’s dissertation on selected art of Central Africa. After moving to South Africa in 1983, she redirected her research interest to Flemish Art of the 17th century. Her Doctoral thesis focused on a monograph and catalogue raisonné of the Flemish artist David III Ryckaert (2000, Turnhout: Brepols).
Because of the early Dutch presence in South Africa, she researched 17th century Flemish paintings in public collections in South Africa. This study project culminated in the richly illustrated book of Flemish Paintings (2006, Pretoria: Unisa Press).
Prof Van Haute joined Unisa in 1983 in the then Department of History of Art and Fine Arts. She was Chief Editor of the accredited journal de arte from 1996 to 2017.
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R1170With a body of work that explores a broad spectrum of subjects—from lesbianism and feminism to contemporary politics and the natural world—Nicole Eisenman (b.1965) challenges convention and encourages viewers to construe meanings from images that demand interrogation and debate. Illustrating paintings spanning the early 1990s to the present day, Dan Cameron unpacks the complexities of Eisenman’s oeuvre via thematic chapters that address key ideas which emerge when drawing specific works together. As such, this first major account of Eisenman’s painting career presents a clear analysis of the primary motivators that have fuelled the imagination of one of the most interesting and original contemporary artists working today.
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In 2006 journalist Joanna Moorhead discovered that her father’s cousin, Prim, who had disappeared many decades earlier, was now a famous artist in Mexico. Although rarely spoken of in her own family (regarded as a black sheep, a wild child; someone they were better off without) in the meantime Leonora Carrington had become a national treasure in Mexico, where she now lived, while her paintings are fetching ever-higher prices at auction today.
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R180This book traces the extraordinary life of an artist whose unforgettable imagery combined cruelty and wit, honesty and insolence, pain and empowerment.
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R400In Flowers, Welling continues to work with photograms of flowers, a project he began in 2004. The most recent Flowers are larger in scale and have a greater range of colors than those in past works.
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R270Conceived in parallel to Grayson Perry’s exhibition The Most Popular Art Exhibition Ever!, this catalogue brings together visual material and texts that expand on the themes raised in the show.
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