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In 2019 Fadzai Muchemwa, a curator from Zimbabwe, completed a three-month residency at the Bag Factory in Johannesburg. This collection of essays on the role of art and arts organisations grew out of her experience of living and working in Johannesburg.
This is the first, self-published catalogue of Phumlani Ntuli’s work. It serves as a personal archive around his artistic practice, focusing on three major exhibitions that took place between 2021 and 2022.
“For him [Milan Kundera], the novel was the highest form of aesthetic endeavor, a kind of anti-scripture representing the sensibility of the individual, containing “an outlook, a wisdom, a position… that would rule out identification with any politics, any religion, any ideology, any moral doctrine, any group.” – David Samuels
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